Déjala correr

To continue pretending to be a position they no longer have, a run-down upper-class family moves into the home of a wealthy aunt.

In this suspense story, the main character, Johann Neudorff, immigrated to Argentina from Germany after World War Two, and has become a successful businessman there. He is unconcerned with the nature of the government there, which at the time of this film (1978) is a military dictatorship. His comfortable existence is disrupted when he discovers that his beloved daughter Laura has become the lover of a political activist who is on the military's hit list. When his daughter is kidnapped, Johann attempts to use his government connections to free both her and her lover. However, his son Alfredo undermines his efforts, and Johann himself is incarcerated in a military prison, but not before he discovers that his daughter and her lover are both dead, killed by the regime.

In 1940 Argentina, a Jewish 17-year-old on vacation with her family falls in love with a young Nazi lawyer staying at the same hotel.

Mario and Ana, in voluntary exile from Buenos Aires, live in a remote Argentine valley with their 12-year-old son Ernesto. Mario runs a school and a wool cooperative; Ana, a doctor, heads a clinic with Nelda, a progressive nun. Into this idealistic family comes Hans, a jaded Spanish geological engineer -- surveying the land for the local patron, to see if it can be dammed for hydro-electric power, which would drive the peasants from the land into the cities.

Mendizábal, a hit man, its ordered by his anonymous clients to murder a man. But in the precise and obsessive persecution, he will discover that he is only part of a game that doesn't belong to him, a web at the service of greater interests.

A female teacher asks a bus driver to take her urine sample to Buenos Aires for its analysis.

Eduardo Peña and Angel Ruiz are two Spanish actors who are on tour in Argentina. They try to achieve success there with a play that speaks of man and his passage through life, but the spectators are becoming increasingly scarce. One day his old car breaks down and they stop at Zapallares, a lost town. There, on the eve of the municipal elections, they meet an old friend, Professor Roberto Tolosa (Dario Grandinetti), critical of the construction of a new hotel and with the political class of the place and that will try to reopen a theater with the help of their fifth-year students, despite opposition from politicians.

In 1847 Buenos Aires, a young noblewoman and a young Jesuit fall in love, much to the disapproval of her family and the Church.

Luis is a righteous man who begins a struggle and a moral debate with his family, neighbors and close friends when a corrupt municipal official offers a very convenient "arrangement".

Epitafios is a 2004 13-episode, Argentinian crime fiction TV mini-series with the tagline: El Final Está Escrito ... The End Is Written. The series, which takes place in an unnamed South American city, was shot in Buenos Aires. The series was produced by HBO Latin America and Argentinian TV/film company Pol-Ka Producciones. It was written by Marcelo Slavich and Walter Slavich and directed by Alberto Lecchi and Jorge Nisco. Although all of the actors were Argentinian, a neutral Spanish was used instead of the local Rioplatense Spanish, avoiding colloquialisms such as the local vos in favor of the more common tú. The series debuted in Australia on SBS in May 2007 under the title If The Dead Could Speak. It premiered in Poland on Cinemax on November 6, 2008. In Germany, it premiered on November 6, 2009 on pay TV channel FOX under the title Epitafios - Tod Ist Die Antwort.

Carmelo, who is 30-years old and extremely shy, finds it difficult to reveal his innermost feelings to Verónica, his co-worker. Carmelo's world collapses when he finds out that she intends to get married soon. Accidentally, she spots him demonstrating in a gay rally where he becomes a leader of that cause. Of course, Verónica assumes that Carmelo is gay, and he takes adv antage of this misunderstanding.

A collection of 10 short films made by known Argentine directors on the AMIA bombing of July 18, 1994.

A man meets a former military service buddy who offers him a good deal. Money starts pouring in, but things change from one day to the next.

A chess columnist ends in prison when one of his columns is mistakenly seen as a subversive attack. From there he invents a game of war and strategy and a cellmate who escapes uses it initiating a real revolution.