Othelo The Great

A black essay on trains, beaches and space occupation.

How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and beginners to explore the hardships and the happiness that are inherent to the job when detached from the glam and glitz of the gossip industry, creating a diverse and comprehensive mosaic of what it means to be an actor in Brazil, a country so full of contradictions. The film brings forward a reality that the masses usually don't get to know: the men and women moved by a deep passion for acting and touching people. With Julio Adrião, Matheus Nachtergaele, José Celso Martinez, Cássia Kis, Nanda Costa, Babu Santana, Luciano Vidigal and Letícia Sabatella, among others.

When he learns of his mother’s death, Thomas returns to Brazil with Beni, his partner, and is told he now owns a country house that used to belong to a grandmother he never met. Curious to connect with his family history, they visit the house and Thomas is welcomed by two aunts that treat him like a long-lost child. As Thomas becomes increasingly enchanted with the place, Beni begins to suspect that something lurks beneath the façade of a quiet country life.

During Rio's Carnival, a street cleaner struggles with the loss of his sister and his work obligations. Amid the celebrations, he finds a lost child and sets out to help him.

The dawn is strange, with a harbinger of change. The next morning, Maria receives a mysterious visitor that leaves José disturbed and will lead her to re-signify her own destiny.

In the middle of a quiet house in rural countryside of the state of Rio de Janeiro, an elderly couple lives with the limitations of old age. Divaldo shares his solitude with Myriam. She dies during sleep and the next day. Divaldo buries her in the backyard. After the funeral, he expresses mourning in a peculiar way.

At the same time that Elisa says goodbye to Heliomar, she meets young Michel.

Within the walls of a middle-class condo, three stray cats seek shelter, food and joy. Meanwhile, the daily lives of the residents become a mixture of affections and disagreements.

Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.

In order to invent a region, it is necessary to create its culture, preferably with the help of cinema. Inspired by the book and play “A Invenção do Nordeste”, this is a re-editing of Brazilian films essential to the foundation of the Northeastern imaginary.