Last Sunday

Lispectorante

Glória Hartman, a mature woman going through an existential and financial crisis, returns to her hometown, which is undergoing a process of abandonment. Through a crack in the ruins of where the writer Clarice Lispector once lived, Glória begins to see fantastic scenes that will change her life.

August Winds

Shirley has left the big city to live in a small seaside town and look after her elderly grandmother. She drives a tractor on a local coconut plantation, loves rock music and wants to be a tattoo artist. She feels trapped in the tiny coastal village. She is involved with Jeison, who also works on the coconut farm and who free dives for lobster and octopus in his spare time.

Room for Rent

Leticia is lost in time. Her nightly, melancholic routine reveals her wild, dark and bloody state of mind. When she meets Gabriela at a party and brings her to her house, strange things begin to take place in her old manor. One of the two will never leave that apartment. This is a film about tensions, memories and social dominations.

Deliverance

A fairly shabby, dark, three-part wardrobe in a hallway: About ten years have passed since Joana Claude suffered sexual violence when it was assembled. Now the time has come to not only disassemble it. Instead, Joana sets out to destroy the artefact of pain completely. The gesture is made with fervour, tearing out the shelves and doors looks like retroactive resistance, what was pent up finds an outlet. At the same time, the ritual is characterised by gradual escalation: At first the director speaks of her relationship with her parents – a big sweat stain on her back already beginning to show –, in the end everything is in flames. The act is short, it lasts only a few minutes. And yet it allows an intimate insight that acquires a universal, strength-giving character as it unfolds.