Kristiane af Marstal

In the first days after the Liberation in May 1945, two Danish towns, Rønne and Nexø, were bombed by Russian planes, when the German commander of the island of Bornholm in the Baltic refused to surrender. Large sections of the two towns were destroyed and a big reconstruction effort was immediately mounted with the aid of the Danish state. Sweden lent a hand, donating a large number of prefab wooden houses. The moment was seized to lay out more practical town plans, while the reconstruction strove to preserve the style of the original houses, so as not to change the distinctive character of the two towns.

The action takes place in the bleak, overcrowded, and for many too small apartments in one of Copenhagen's bridge districts, where there are both good citizens, but also people who live a shadowy existence. Up in the attic, Mathilde lives alone with her little daughter Vibeke. She is the result of a coincidence, as is so often the case when a young girl from the provinces comes to the Capital. Mathilde comes from Vordingborg, she went to the city to look for work. At the boarding house where she stayed, she made a friend Ellen, a rather frivolous and indifferent young girl.

Danish noir crime drama with a poetic nerve. Two boys, Kristinus and Jakob (Rode and Neergaard) experienced a loveless and abusive childhood. Now as grown-ups, they are acting outside the law.

On the indebted estate, Gyldenstrup, lives a spoiled and selfish lady, Mrs. Selstrup, with her two spoiled and selfish children, Ellen and Joachim. Her husband has recently died, and the widow completely forgets her grief when lawyer Hansen confides in her that they are in fact very poor. Spoiled and selfish as she is, it seems to her like a disaster that she and her two hopeful offspring may end up living in poorer conditions.

The film begins with Baron von Rosensteen's funeral. As Rosensteen has no heirs, the old Rosensteen Castle is to be inherited by the Rabenfeldt family. Supreme Court Attorney Berg visits the widow baroness about a document found among the papers of her son, the deceased baron. It turns out that the baron had a child out of wedlock with a non-noble woman. The widow baroness and the Supreme Court attorney decide to find the child, as this would mean that an heir to the castle had been found. The child turns out to be a girl named Anne Tofte, who works at a gas station with her uncle Lars Tofte and his colleague Hans Høy. They persuade Anne to live with the baroness for a while, which she is not very keen on. The widow tries to teach Anne to be a fine lady, rather than the tomboyish workshop mechanic her uncle had raised her to be.

Directed by Danish filmmakers Bjarne and Astrid Henning-Jensen, THOSE BLASTED KIDS tells a story of a group of back-alley urchins that is considered Denmark’s first true children’s film.

At Helene Dragstrup's 20th birthday, her grandmother Margrethe decides that it is time that Helene learns something about life outside the protective walls of the estate.

Among the residents of the boarding house on Fredhvilevej are Børge Blom, a civil servant, the feisty Nelly Smith, and taxi driver Ib Nielsen. Because their house is to be demolished to make way for a parking lot, they are given 14 days' notice to vacate. Good advice is now hard to come by, and after a fruitless visit to the Ministry of Housing, they agree to resort to unconventional methods—they occupy Louisenborg Castle! Upon arriving at the castle with their belongings, confusion reigns supreme—there is moving chaos, a visit from an Arab prince, plenty of drinks, and love in the corners.

Erik Lund is a child psychologist and defend a doctoral thesis on the subject. His knowledge is at the very theoretical level, and he will be seriously trouble when he for a time has to babysit his sister's six children ranging in age from baby to teenager. Fortunately, the neighbor cute daughter, Lisbeth has a more practical take on things.

Peter Bergmann has celebrated his bachelor party with his good friend William Thorsen. Peter is to marry William's former girlfriend Kirsten on the same day. When they return to Peter's home in the morning, they find a letter from the French hospital "The Little Blue Nuns," asking Peter to come in with his baptismal certificate and have a blood test done. Peter tells William that he had a love affair in Paris while on a business trip for his father's company, but Tony rejected him when he proposed marriage.

First mate Knud Karlsen has just received sad news from his girlfriend. On board the ship is also chef Valdemar, sailor Ole, owner's confident son Robert and a whole bunch of eager sailors. On board develops the drama out every minute, culminating in the film's climax, when a fire breaks out on board

Marianne is a sales assistant at the elegant fashion boutique Chez Madame on Strøget. She is a wallflower, and when the wealthy man of the world John Bagger, one of the store's customers, invites her out on New Year's Eve wearing the store's most beautiful dress, she experiences it as a romantic adventure. But everyday life returns after the big night.

Lieutenants Adam and Ditlev dream of being accepted into the Guard Hussar Regiment, and Captain von Rabenberg puts the two rivals to the test.

At a convent school for young girls, no one must know that the organist Celestin is the same person as the operetta composer Floridor. But in the long run, it cannot be hidden. His bright student Charlotte has been chosen as the bride of a man she has never met – but during a trip to Copenhagen, where Celestin is supposed to protect Charlotte from the temptations of the city, he takes her to the theatre where his operetta is to premiere. And that is where Celestin's problems really begin.

This festive comedy has a theme song that was incredibly popular in its day – but which is missing a verse! The penultimate verse ends as follows: "...there were 39 sailors and one girl, and that's why the censors deleted the last verse." In 1965, it was new and very daring for a girl to go to sea in the merchant navy. But fortunately, Peer Guldbrandsen and director Annelise Reenberg saw that girls also had a future at sea when they wrote the film's screenplay based on Else Boyes' best-selling novel. The moral frown is replaced by a big smile when the pretty radio operator, Else, boards the M/S Warrigal, owned by the magnificent shipowner, Wilhelmine Jacobsen. The trip from Brønshøj to Bangkok – and back – becomes as festive as an archetypal Danish male society can manage when a pretty girl destroys their age-old traditions.