Birgit Sadolin

Anders Refn's film adaptation of Gustav Wied's novel stars Jens Okking and Helle Hertz in the leading roles as Baron Helmuth and his wife Alvilda. The baron is deeply enamored with his wife, but she is repelled by his blunt and coarse nature and is drawn to her cousin, who fulfills her desire for passionate romance.

The boy Topper is bored. He finds a pencil that proves to have magical powers. Draw a rhino, and right away, you have a real rhino for a companion. A little heavy perhaps, when you live on the second floor. No matter, it's a modern fairy-tale of the baroque, and everything goes. Based on kiddie entertainment by Ole Lund Kirkegaard, but as was the case with the book, the fun is to be enjoyed by one and all.

A young woman goes on a vacation at an old farm, which once belonged to her deceased grandmother. Childhood traumas and the memories of her strict and authoritarian grandmother haunts the young woman and leads her to scary delusions and a mental breakdown.

Three girls (around 20 years old) who have grown up in different parts of Denmark get a strange letter. It turns out they are sisters, and will inherit from their late mother, if the can stay together one month in the same house. They end up in a lot of (romantic) trouble, because of speculations of who their father(s) might be.

After his girlfriend is killed in an automobile accident, a man decides the best revenge on those responsible is to murder their loved ones.

Martin returns home with a good sum of money in his pocket after working in Greenland. He settles down with his sister, who runs the inn – but much has changed. He is most disappointed that his childhood sweetheart Martha has married Just Hovmand, who owns the Lunehøj farm. Martin starts a machine station and is immediately ready to help Martha and her husband when they run into financial difficulties. But stubborn Just refuses to accept money from Martha's former boyfriend. As usual in a good Morten Korch film, there are a couple of pleasant 'cousins' – Chr. Arhoff and Peter Malberg – and they come up with many good solutions...

11-year-old Jasper may just be starting puberty, but so far he has experienced a lifetime of emotions. On the day his beloved grandfather dies, he is charged with taking care of the elder's pet cat. The local town bully, Mourids however, has his own ideas on how to take care of the frisky feline and wastes no time with showing Jasper just what he thinks of cats. Enter Far, a significantly more mature girl who Jasper is attracted to. It's love at first sight for Jasper, but will Far return the puppy love or will Jasper find out the hard way that she is actually Mourid's girlfriend?

Vielgeschrey is a fidget merchant constantly prone to believing that he is much more busy than he really is. This eventually makes him suffer a tragicomic fate. TV adaptation of Holberg's satirical play from 1723.

Hidden among the dunes on the west coast of Jutland lies HU, where fishermen struggle to earn a living. The hard and dangerous work combines HU's small population with a peculiar madness that gives free rein to emotions and intensity in all aspects of life. One day, three Copenhageners arrive in the windswept village and are both astonished and fascinated by the local free spirit.

Erik and Lisbeth are getting married and then honeymoon to Austria. When Mom and Dad need to have another baby, the four small decides to go on the honeymoon as well. They hide in the caravan and come unseen to Austria. Since they do not have passports, Erik can not just send them home. The children are only listed in their mother's passport and she is in the hospital giving birth. Lisbeth and Erik have to take care of the kids. It provides a lot of fun entanglements between the wedding couple and the children. Erik and Lisbeth doing now what they can just get a few moments alone. However, there is always something, so it will be an unforgettable honeymoon with my sister's children.

Erik Lund is a child psychologist and defend a doctoral thesis on the subject. His knowledge is at the very theoretical level, and he will be seriously trouble when he for a time has to babysit his sister's six children ranging in age from baby to teenager. Fortunately, the neighbor cute daughter, Lisbeth has a more practical take on things.

Early morning. A young couple enters their apartment after locking themselves out. The home is completely empty and dark, and there is no sign of the family who had been their neighbors for years. The lights don't work, and when they finally manage to light a match, they see the body of the old girl slumped in an armchair.

There is a cheeky Frida hiding inside all of us. Hideouts, secrets, kissing techniques, and dreams of becoming heroes by exposing evil bandits. Parents are just a nuisance, and when you finally want to take care of serving the guests, somehow it all goes wrong. It's a shame, because you just wanted to do it so well. Lykke Nielsen translated the best of the best from her books into this film. The children were happy to play along and at one point said that they would like to play in more films. That wasn't to be, but the film remains a sweet and funny everyday story that reflects the children's innermost dreams: to be allowed to be themselves without too much interference from outside. Throughout the film, the children go through a lot before they turn the villains over to the authorities, but that's how a children's film should be.

Among the residents of the boarding house on Fredhvilevej are Børge Blom, a civil servant, the feisty Nelly Smith, and taxi driver Ib Nielsen. Because their house is to be demolished to make way for a parking lot, they are given 14 days' notice to vacate. Good advice is now hard to come by, and after a fruitless visit to the Ministry of Housing, they agree to resort to unconventional methods—they occupy Louisenborg Castle! Upon arriving at the castle with their belongings, confusion reigns supreme—there is moving chaos, a visit from an Arab prince, plenty of drinks, and love in the corners.

Karl Åge and Regitze host a summer garden party for close friends, their son, and his family. Karl Åge is quiet, detached; Regitze is spirited, lively. He thinks back: love at first sight during the war, living together unmarried, her mother's hunger strike when they won't baptize their son. Regitze is passionate and forthright; she speaks her mind. He remembers her inviting a derelict for Christmas dinner, and the man shows up with five bashful friends. He recalls her taking on their son's teacher when the man slaps the lad. He remembers her love of dancing and his fear that his social clumsiness might end their relationship. Now, in twilight, he has other things to face.

This festive comedy has a theme song that was incredibly popular in its day – but which is missing a verse! The penultimate verse ends as follows: "...there were 39 sailors and one girl, and that's why the censors deleted the last verse." In 1965, it was new and very daring for a girl to go to sea in the merchant navy. But fortunately, Peer Guldbrandsen and director Annelise Reenberg saw that girls also had a future at sea when they wrote the film's screenplay based on Else Boyes' best-selling novel. The moral frown is replaced by a big smile when the pretty radio operator, Else, boards the M/S Warrigal, owned by the magnificent shipowner, Wilhelmine Jacobsen. The trip from Brønshøj to Bangkok – and back – becomes as festive as an archetypal Danish male society can manage when a pretty girl destroys their age-old traditions.

A movie with the popular band Shu-bi-dua. With bad guys, proud heroes, ladies in trouble and last but not least .... bus chases... without a ticket!

Two young skippers, Hans Tønnesen and Poul Nielsen, have a small cargo ship that transports freight from Copenhagen to the provinces. Poul and Hans are in love with the same girl, Margit, who is the daughter of master baker Bonnekamp. However, Margit chooses Poul. On their wedding night, Hans cannot sleep. He sits in his boat and hears a splash in the water. He jumps into the water and rescues a young girl, Kristiane, from drowning. She is distraught because she is pregnant and does not dare tell her parents. Hans offers to marry her and acknowledge paternity, but on the way to his own wedding, his engine stalls.

Doctor Falke takes revenge on Gabriel von Eisenstein because, after a carnival, he left him lying in a park, disguised as a bat, so that he would be ridiculed by respectable citizens the next morning. Falke seizes the opportunity for revenge when Eisenstein gets himself into trouble by being sentenced to ten days in prison for disrespectfully mentioning a princely person. The wealthy Russian Prince Orloffsky has asked Doctor Falke to arrange the entertainment for his grand party – and in this lavish setting, Falke carries out his revenge.

Line married early to a crazy but lovely painter, who unfortunately one day became so crazy that he had to be hospitalized. For her, there was only one thing to do: refuse to let it get her down, quickly find a job—as a cashier at the local supermarket—set up a new home for her four children, and make it all work. But what about her dreams and love—and making ends meet...

Danish version of Kjeld Abell's successful musical comedy from 1935. Clerk Larsen loses the melody of his youth, which he had when he met his wife. His happiness and dreams have disappeared in a bourgeois existence. "It was supposed to be so good, and then it was actually bad," as one of the play's popular songs - 'The Song of Larsen' - goes. But then the quest to find the melody again begins.

After a stay in a sanatorium due to violent behavior during an arrest, Detective Karl Jørgensen is transferred to the fraud department. Here, Karl discovers a case involving his ex-wife and her new husband. When Karl begins to investigate the case, he is stopped by the police chief. Karl teams up with journalist John Bullnes. They gradually get closer to the truth, but are stopped when a suspect commits suicide. Karl is suspended and Bullnes is sent to Berlin on an assignment. Karl then takes the case into his own hands and arrests the city's mayor and a major contractor.

From a working class coming-of-age novel, Morten Arnfred fashioned his feature film to recapture the feel, the sting, the pain, but also the spirit of solidarity of the 1950s in the metropolitan city of Copenhagen: at the center, young Johnny, helpless, hapless, happy, unhappy, going through the motions of growing up. Bodil awards: Best Film and Best Actor (Allan Olsen).

Among the many guests at the Rebild festival is Andreas Andersen, a man in his early 30s. But he has not come to Denmark to attend the big festival. Seventeen years ago, he was a poor farmhand at "Hovgården," but he fled the country because the farmer's wife, the authoritative Martha Larsen, accused him of a theft that was actually committed by her son, Henrik. Andreas came to America and led a turbulent life here before becoming a farmer and earning a lot of money.

Rejseholdet is a Danish television crime series starring Charlotte Fich, Mads Mikkelsen and Lars Brygmann. Produced by Danmarks Radio, the program aired 32 episodes spanning four seasons from 2000 to 2004. Each episode revolved around an elite mobile police task force called "Unit One" that travels around Denmark helping local police solve crimes. Cases portrayed in the show were loosely based upon actual incidents of sensational crimes such as murders, kidnappings, cross-border sex traffic and child pornography. Rejseholdet won the 2002 International Emmy Award for best drama series.

In 1970s Denmark, the criminal police in a provincial town solve different criminal cases, when the police was dominated by men and DNA was not yet a tool in investigation.

The sequel to the mega-hit "Jul i Gammelby." The story takes place in the early 20th century, when more and more women are becoming independent of men, and machines are making their mark. The baron outcompetes the clog maker with his new factory, much to the dismay of the town's children—so with the help of the elves, they do everything they can to tease the baron. Meanwhile, at the telephone exchange, the switchboard operator listens in on the conversations so that she is the first to know everything.