The Bride from Japan

The film consists of three short stories. Tomiko, the heroine of the first story, "The Flower Girl" (dir. Kozaburo Yoshimura), is a little girl who bears the unbearable burden of caring for her family. Tomiko's father has been unable to find work for a long time, and her older sister is terminally ill—it is unlikely that she will ever recover. To feed her family, Tomiko runs around the city from morning until late at night selling flowers... The second novella (dir. Tadashi Imai) also depicts the lives of the poor. An unfamiliar girl brings young Kavano a letter from his mother. It turns out that the girl's name is Kuniko, she is very hardworking, but her family is dying of hunger. Therefore, her mother decided to send Kuniko to her son so that he would marry her. The short story is called "The Unexpected Bride." The third short story, which gave the film its title, is particularly interesting: "When You Love" (dir. Satsuo Yamamoto). It shows the family of a young peace activist.

Among Yoshimura’s complex and political works, this episodic film, set in the early 1930s, follows the life of a young left-wing student activist disenchanted by the increasingly hawkish state of Japanese society.

Professor Wilson discovers a lost Akita puppy on his way home. Despite objections from his wife, Hachi endears himself to the family and grows to be Parker's loyal companion. As their bond grows deeper, a beautiful relationship unfolds.

This is the story of a puppy that touched hundreds of millions of people around the world. Hachiko is a cute Chinese pastoral dog. He met his destined owner Chen Jingxiu in the vast crowd and became a member of the Chen family. With the passage of time, the once beautiful home is no longer there, but Batong is still waiting where it is, and its fate is closely tied to its family.

A family of four are the sole inhabitants of a small island, where they struggle each day to irrigate their crops.

The tragic, true story about Hachikō, an Akita dog who was loyal to his master, Professor Ueno, even after Ueno's death.

The Americans are swiftly closing on Okinawa, an island just south of the Japanese mainland. The Imperial command sends top generals and several army divisions to defend it at all costs. The mission quickly degenerates as vital resources and troops are diverted to other islands. After a civilian evacuation ends in tragedy most of non-combatants are forced to remain on the island. Many convert to soldier status. Tokyo sends mixed messages that squander time and resources, as when they order the defenders to build an airstrip for aircraft that never come. The truth soon becomes obvious: the high command decides that the island cannot be held and effectively abandons the Okinawan defenders. When the Americans land many troops are deployed in the wrong places. As the slaughter mounts, a suicidal attitude takes hold. Okinawa becomes a death trap, for civilian volunteers and non-combatants as well.

While her son, Kichi, is away at war, a woman and her daughter-in-law survive by killing samurai who stray into their swamp, then selling whatever valuables they find. Both are devastated when they learn that Kichi has died, but his wife soon begins an affair with a neighbor who survived the war, Hachi. The mother disapproves and, when she can't steal Hachi for herself, tries to scare her daughter-in-law with a mysterious mask from a dead samurai.

A war widow determined to clear the name of her disgraced husband, who was court-martialed for desertion and executed. Official records have been destroyed, and the ministry that distributes benefits continues to deny her a pension. Twenty-six years after the war, she seeks out four survivors of her husband's garrison. Each tells a dramatically different story about her husband's conduct, but she is determined to learn the truth.

In the Sengoku period, a woman and her daughter are raped and murdered by soldiers during a time of civil war. Afterwards, a series of samurai returning from the war through that area are found mysteriously dead with their throats torn out. The governor calls in a wild and fierce young hero to quell what is evidently an Onryō ghost.

The body of Sakai Hatsuko, a woman of 23 who has been slain with a knife, has been found in a forest. Some days later, Ueda Hiroshi, a 19-year-old shipyard worker, is arrested and charged with the murder. At Ueda's trial, a complex story unfolds.

A story of Japanese writer Kafu Nagai (1879-1959), a man about sixty with a huge reputation of seducer who falls madly in love for a young geisha named Oyuki. Meticulous and smartly dressed, Nagai patiently wrote in his diary his thoughts during many years. A melancholy reflection on the passage of time and a brilliant interpretive exercise.

A retired actress whose husband has recently died visits her summer home. There she has encounters with old friends and acquaintances who bring various stories and news of death and the past

Zatoichi's trek through 88 temples to atone for his violent past is interrupted as he stumbles into a village terrorized by a violent yakuza boss.

A detective wonders that his sister is a murder suspect.

In the early 18th-century, Lord Takumi-no-kami Asano, feuding with Lord Kira, tries to kill his opponent in the corridors of the Shogun's palace. The Shogun sentences Asano to seppuku and deprives the palace and lands from his clan, but does not punish Kira. Asano's vassals leave the land and his samurais become ronin and want to seek revenge against the Lord's dishonour. But their leader Kuranosuke Oishi seeks to restore the Asano clan with his brother Daigaku Asano. One year later, the Shogun refuses, and Oishi and 46 rōnin are out for revenge.