Mineko Yorozuyo

Jack Elliot, a one-time MVP for the New York Yankees is now on the down side of his baseball career. With a falling batting average, does he have one good year left and can the manager of the Chunichi Dragons, a Japanese Central baseball league find it in him?

In the heart of the Japanese Alps, in Kamikochi, Nagano Prefecture, botany professor Kazuhiko Onuma spends time with Tsuruko, his lover. One night, Kazuhiko's wife Kazuyo comes to see them and confronts the professor about his extramarital affair, and Tsuruko, an inevitable witness to the confrontation, leaves the professor the following morning. Over the next decade, whenever he visits the mountain cabin every autumn equinox, the memory of Tsuruko will forever haunt Kazuhiko...

The university professor Ozeki Hitoshi (Ryu Chishu) is regarded as an eccentric by people in his surroundings. When his daughter Tokiko is asked to marry a colleague, she and her mother are overjoyed, but Hitoshi is not satisfied with the situation.

This movie is based on an immortal literary work "The Snow Country," a story about a life of geisha Komako who lives in a region with heavy snowfalls.

Based on the life and career of novelist Fumiko Hayashi, she bitterly struggles for literary recognition in the first half of the 20th-century – her affairs with feckless men, the jobs she took to survive (peddler, waitress, bar maid), and her arduous, often humiliating attempts to get published in a male-dominated culture.

1962 Japanese movie

It's a man's world. Shimamura, an artist, comes to this snowbound town to rejuvenate himself. He connects with Komako, a geisha he met on a previous trip, and it seems like love. She's the foster daughter of a local family, almost engaged to the family's son Yukio, now dying of consumption. He's tended by his sister Yuko who's angry at Komako for abandoning her brother. Shimamura returns to Tokyo but promises he will be back soon. In anticipation of his return, Komako breaks with her patron and her family loses their home. Complications arise when Shimamura doesn't come back as promised. Then Komako discovers that he and Yuko knew each other in Tokyo. Can Komako escape destiny?

Satoko is a mistress by trade or fate: when her master, the silkscreen artist of the Kohoan Temple in Kyoto, dies, she is given to the temple's lascivious head priest Kikuchi. She is drawn to a melancholy young acolyte, Jinen, who has observed the profligacy of his cruel master and Satoko's utter dependence on the man. Jinen is both fascinated and disturbed by Satoko's interest in him; he is similarly caught between loathing of Kikuchi and of the dark circumstances of his birth and his own moral weakness. The story unfolds in a dreamlike manner—a flashback inspired by a now-infamous image on a silkscreen in the souvenir shop at the so-called Temple of the Wild Geese.

​Ryukichi, the pampered heir to a cosmetics wholesaler, abandons his wife and child to pursue a scandalous affair with a famous geisha named Choko. This betrayal leads his father to disown him, leaving the unskilled Ryukichi with no way to earn a living. To keep them afloat, Choko is forced to continue working as a geisha while secretly scraping together a nest egg to start their own business. However, Ryukichi remains trapped in his hedonistic lifestyle, eventually squandering Choko’s hard-earned savings on his own self-indulgence.

A poor peasant, after years of scraping, becomes a rich and powerful Osaka merchant. Mizoguchi Kenji's final project; he died before completing it and directing duties turned over to Yoshimura Kozaburo.

When his mother's untimely death quickly follows his father's, a doctor begins to believe a killer may be targeting him and his amnesiac wife.

Comedy about a car salesman delivering a late model station wagon from Tokyo to Izumo to a representative of the Japanese Diet, who plans to use the car in a bribe.

An ambitious young woman uses her sex appeal to solve financial problems in her family, including a brother in debt to the yakuza, and a father who stole money from his firm to repay his son's debt.

This story takes place at a school under the new educational system. It all began when a love letter addressed to Takeshi Kodama, the straightforward art teacher, from Yoko Kagawa, a young and beautiful female teacher, was found lying in the school hallway. It soon became clear that Ms. Kagawa was not the one who had written the letter, but this incident made her feel the need to explore the emotions of her adolescent female students.

A young Japanese-American comes from California looking for a bride, going on blind dates with three candidates from Osaka, Hiroshima and Nagoya.

Shozo is plagued by the needs of his ex-wife and his current one, but prefers the company of his cat.

Komichi (Chieko Baisho), a maiko in Gion, reunites with her elementary school classmate Takao Segawa (Yukio Hashi) for the first time in eight years, and the two quickly grow close.

Directed by Hiroshi Inagaki, the drama, set in the brothels of Shimabara in post-war Kyoto, is a moving look at the lives of women of tenacity and resilience.

In Kyoto a young kimono maker with traditional ideas gets involved with a married professor.

A TV writer and a director stranded in a rural town witness the young villagers’ tangled romances. Despite parental feuds and arranged marriages, true couples find their way together. The writer grows fond of the town before returning to Tokyo.