Gas

Albania, 1958. Luana, the daughter of a well respected man in the village, makes friends with Agim, who moved here after his family were banned from the city by the communists. Years later, their childhood friendship turns into teenage love, but without prospects. Luana’s father promised her in marriage to someone else when she was a child. When her father finds out about Luana and Agim’s love, he is furious and immediately arranges for his daughter to be married to the man he chose for her. Luana faces a dilemma: to flee with her lover to Germany, risking being caught by the communists and probably killed, or stay loyal to her family. A poignant love story set in dark times shaped by pressure from old traditions. A deeply human tale about freedom, which is the greatest good even if the price is loneliness.

A man loses his wife. A woman finds her husband. A mother sees her children.

A small town in northern Greece: the film begins with Anna’s monolog in a theater rehearsal in a coffee shop. Manos, obsessed with Panselinos (a 13th century Byzantine painter), himself hidden inside a trivial life, watches her. It is the turning point for both of them. Anna, married to an abusive man, is mesmerized by Manos’ paintings and his kindness. They develop a powerful passion

In 1990, a European delegation comes to Tirana to monitor the reforms of the communist regime. A government official is sent on a mission to a faraway prison in order to bring an important dissident back to the capital.

A random explosion connects three stories, where strangers are trying to find some way to live on the edge of legality.

Two people meet up in jail when they come for monthly visits of their spouses. They fall in love after becoming witnesses to a wedding in jail but their relationship has to end because both their spouses get amnesty from the government.