Eu Não Sei Dançar, Mas Danço

Based on a montage of mandatory political propaganda for the 2014 presidential election, the film presents a debate on the political direction of the country through a reflection on the speeches of the main candidates and the role of image in the construction of these speeches.

Based on a montage of mandatory political propaganda for the 1989 presidential election, the film presents a debate on politics in the country through a reflection on the speeches of the main candidates.

The death machine needs to maintain its longevity to expand and profit.

Collection of small moments from the daily life of the artist and quilombola leadership Nadir da Mussuca, who lives in the city of Laranjeiras and is one of the most important folklorists in Sergipe.

Those who enjoy hot baths inhale its warmth, which penetrates their spirits. This makes them joyful and often leads them to sing (Ibn Khaldun, 1377).

An old man is tired of celebrating his birthday.

An intimate, experimental documentary in which co-director Wesley Pereira turns the camera on himself to explore his daily life, desires, and inner turmoil. Set in his home in Sergipe, Brazil, the film blends mundane routines with candid reflections on sexuality, erotic desire, cinephilia, and mental anguish. Openly gay, Wesley examines his own vulnerability, shame, and longing, creating a raw portrait of queer existence and self-exposure. Fragmented and non-linear, the film stretches time and emotion, embodying its title: one minute can feel like an eternity when suffering. It is a bold, introspective meditation on identity, isolation, and the challenges of living authentically.

A black-and-white film.