A Última Valsa

The scientist Udo Gierer is on the trail of Theodor Koch-Grünberg, the famous Amazon researcher at the beginning of our century. While traveling on a river steamboat, he meets and becomes friends with 14 year old José Junior. He takes José with him on a flight over the rain forest and tells the boy about the importance of the Amazon as the lung of the world.

Bil is an elderly man who works as an office boy for a firm in São Paulo, as he does not pay for a bus ticket and takes a preferential line at the bank. One day he gets involved in an unusual bank robbery.

An intellectual, his questions and contradictions. How to think and act politically these days?

A countryman kills his father and heads for the big city. On his way, he meets the most bizarre and allegorical types: a robber, a drag queen who thinks he's Carmen Miranda, a black king, a fallen black angel, a priest, two whores, a pregnant cowboy, among others.

After their relative and associate runs way, the Naves brothers inform the police of the incident, who end up arresting them under the accusation of murdering the missing person. The brothers are tortured in order to confess a crime they did not commit while their wives are raped.

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

Selma, a retired nurse, is an extremely loving mother for his son Raimundo, in an almost incestuous relationship. One day, she becomes aware of some changes in her son's behavior. At first, she thinks it may be some girlfriend. But soon she learns it's something else.

After assaulting a Hollywood film crew, a group of residents of a community in Rio de Janeiro decided to produce a film that would express the reality of Brazil - with the theme of Inconfidência Mineira.

In the miserable Northeastern Brazil, a ruthless land Baron wants to throw a poor farming community out of their land.

Juvenal is a metro driver from Belo Horizonte. Margô, a station controller. Both live in a state of complete solitude – each in a particular way. Juvenal refuses to be alone and strolls through the streets of this metropolis taking comfort by mingling with the anonimous crowd. Margo seeks relief in the virtual world of social networks where she struggles to establish long lasting relations with real persons.

Jean feels trapped in the logic of longevity that the pharmaceutical industry imposes on him and decides to plan a conscious suicide. He invites Helena to commit suicide to two. She, on the other hand, hesitates, knows that she will live well even if she needs to live alone, but she helps him in his intentions. The silence between them does not reveal distance, but intimacy. These are years of shared affection. Together, they will prepare all the details for the funeral. He dances death while she continues rehearsing life. In the process, the two realize that before the end, there is still a lifetime.

Former political activist receives compensation from the Brazilian government for the disappearance of her husband, victim of the repression triggered by the Brazilian military dictatorship. With the money, she can buy her an apartment and free herself from this dreadful condition she lived for decades. At the moment of moving to the new home, however, a visit arises that forces her to review her entire life.

A woman ready to move away from Brazil is kidnapped by her jealous ex-lover.

São Paulo, 1984. Agostinho, an old and tired Physics professor, is married to Januária, a retired school principal. In his classes, he begins to feel attracted to one of his students, Márcia, an HIV positive teenager. Quickly, the attraction of the two turns into an impossible love.