Impávido Colosso

Based on a montage of mandatory political propaganda for the 2014 presidential election, the film presents a debate on the political direction of the country through a reflection on the speeches of the main candidates and the role of image in the construction of these speeches.

The Man Who Became Cabinet tells the story of an employee who, so obsessed with the routine and mechanical tasks of his work environment, eventually becomes one of the cabinets in the office.

Four friends get together to make a movie. And I watch them. An essay-film about the filming process of Os monstros, by Guto Parente, Luiz and Ricardo Pretti and Pedro Diógenes (Alumbramento Filmes). A letter-film, a diary-film, an essay-film, an archive-film, a garage-film.

The daily grind, saying goodbye to family, and a woman's dreams.

An old man is tired of celebrating his birthday.

I love you. I need to love you.

In a port in the far south of Brazil, Leandro makes a living informally collecting soybeans that were lost during transport. But the crisis gripping the country puts his livelihood at risk. Without prospects, he wanders around in his car with the music blasting. Late into the night, he sets out in search of company, but nothing goes as planned.