Dmitri Shostakovich

Blending lively music and brilliant animation, this sequel to the original 'Fantasia' restores 'The Sorcerer's Apprentice' and adds seven new shorts.

A Finnish man goes to the city to find a job after the mine where he worked is closed and his father commits suicide.

Lida Baburova, a tour guide of an architectural museum, unexpectedly receives a warrant for a two-room apartment in the new district of Zarechye, among the new settlers called "our Cheryomushki". Lida and her father go to inspect the apartment, but it turns out that it doesn't exist. The manager of the house, Barabashkin, conducted fictitious documentation, and the Baburovs' apartment merged with the neighboring one, owned by the head of the construction trust Drebednyov.

A biography drama about Sergey Kirov, a prominent early Bolshevik leader in the Soviet Union.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

An apocalyptic nightmare about war and destruction, set to the Allegro from Shostakovich' 10th symphony.

Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.

Soviet and American soldiers are meeting on the shores of the Elbe river in Germany in 1945.