Directing
Ursula Meier
Born June 24, 1971 · Besançon, Doubs, France (age 55)
Ursula Meier (born 24 June 1971) is a French-Swiss film director and screenwriter.
Known For
The Paris Opera · 2017The Paris Opera
★ 7.22017
MovieDocumentary
A behind-the-scenes look at the of how the Paris Opera is run under the direction of Stephane Lissner.
Stuntwomen · 2022Stuntwomen
★ 9.22022
MovieDocumentary
The daily life of Petra, Virginie, and Estelle, three stuntwomen, from the dangerous film sets, where they face all kinds of deadly dangers, to the safety of their homes.
Particles · 2019Particles
★ 4.42019
MovieDrama
As winter sets in and P.A. sees the world shifting around him, he starts to observe strange phenomena in the environment. The changes are imperceptible at first, but gradually his whole world seems to be on the brink.
Stupid Boy · 2004Stupid Boy
★ 5.72004
MovieComedyDrama
This coming-of-age drama deals with a young man, realizing who he really is and which things he will never do...
Home · 2008Home
★ 6.92008
MovieDrama
Along with her husband and three children, Marthe lives in an eden of her own creation, nearly isolated from the rest of the world. The arrival of a construction vehicle, however, pierces their tranquil, hermetic existence—before long a disused highway has been re-opened, and the family finds their home situated in the midst of rush-hour traffic. While the privileges of clean air, quietude and privacy are thus denied them, Marthe remains determined to stay no matter the cost.
Sister · 2012Sister
★ 6.72012
MovieDrama
A drama set at a Swiss ski resort and centered on a boy who supports his sister by stealing from wealthy guests.
Another Man · 2009Another Man
★ 5.22009
MovieDrama
Psychological drama about a young, inexperienced film reviewer who falls for the charms of a well-established female colleague. A challenging look at the essence of film critique as well as an erotic encounter between two unequals.
The Line · 2023The Line
★ 5.72023
MovieDrama
Margaret, 35, has a history of violent behaviour which has cost her a romantic relationship. She has moved back in with her mother Christina, a fragile, immature 55-year-old woman who blames Margaret, her firstborn, for ruining her dreams of a career as a concert pianist. In a state of unbridled fury during an argument, Margaret hits Christina. The law steps in, further complicating family dynamics. As she awaits trial, Margaret is forbidden from coming into contact with her mother or within 100 metres of their home. This only intensifies her desire to be closer to her family. Every day, Margaret appears at this 100-metre threshold to see her 12-year-old sister Marion and give her music lessons.
Filmography
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