Particles

Lazy, idle, effeminate, strikers from father to son : French stereotypes are doing well. Anglo-Saxons, very especially fond of these preconceived ideas, take delight in disseminate them accross the world. Political and cultural realms particularly adore it. Concerned about reflecting a positive image abroad, politicians do their best today for their country to regain prestige. Decoding "French Bashing" diplomatic role and consequences.

A behind-the-scenes look at the of how the Paris Opera is run under the direction of Stephane Lissner.

The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.

Three months after surviving a terrorist attack in a bistro, Mia is still traumatized and unable to recall the events of that night. In an effort to move forward, she investigates her memories and retraces her steps.

Steve, a 25-year-old Black man from the Paris suburbs, seeks to escape the violence of his immediate surroundings by training to become an actor at one of France’s most prestigious drama schools. But soon he discovers that the theater world is only interested in having him inhabit “Black” roles.

A small town nestling in the middle of a snowy expanse. In a crowded hall, some musicians are warming up. Cacophony. The conductor calls for silence. On a river bank at dawn, an old man is fishing alone, alert. Nearby, a band of Indians are marching to music for the carnival. A young hunter stalks her prey on the edge of a forest, while in his bedroom, a teenager struggles with his tie to the deafening sound of symphonic heavy metal rock. Between community and moments of solitude, through a series of lively Friday evening rehearsals and the interminable republican ceremonies, L'harmonie takes us to the heart of this colorful community in search of harmony.

Set within the confines of this exceptional construction site, the film paints a portrait of a miniature society, driven by a common goal: to build cinemas for the next century. From the architect to the journeymen carpenters, from the site manager to the head of the Pathé group, from the designer of the speakers to the future projectionists, the film paints a vivid portrait of this society at a human level.

The star of Blaise Harrison's first documentary, Armand 15 ans l'été, Armand confides in us, during a short stay in New York five years later, his most personal thoughts as a twenty-year-old in the throes of emancipation. Enlivened and touched by the discovery of this city and its sense of freedom and possibility, he shares his enthusiasm and melancholy, giving us a glimpse of the man he is perhaps becoming.