Pas les flics, pas les noirs, pas les blancs

A body is growing and developing in front of the camera, absorbing sensations and emotions, confronting its limits and its darker hidden parts. A body that through the years abandons itself to the character, transforming what could be seen as simple (children's) play-acting into the true work of an actor.

The daily life of Petra, Virginie, and Estelle, three stuntwomen, from the dangerous film sets, where they face all kinds of deadly dangers, to the safety of their homes.

A brother is reunited with his sister in their old family home after years of separation. In the still of the night, images and sounds from their childhood come rushing back, reminding them of a father who, although often austere, did on occasion seem to enter into the spirit of things.

A behind-the-scenes look at the of how the Paris Opera is run under the direction of Stephane Lissner.

The mini-series tells about shocking criminal cases from Switzerland, with each episode showing a self-contained story based on true events.

A group of friends meet for a birthday meal. In the lively after-dinner atmosphere someone poses a riddle which changes the mood.

Along with her husband and three children, Marthe lives in an eden of her own creation, nearly isolated from the rest of the world. The arrival of a construction vehicle, however, pierces their tranquil, hermetic existence—before long a disused highway has been re-opened, and the family finds their home situated in the midst of rush-hour traffic. While the privileges of clean air, quietude and privacy are thus denied them, Marthe remains determined to stay no matter the cost.

A drama set at a Swiss ski resort and centered on a boy who supports his sister by stealing from wealthy guests.

Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.

Anne Dupraz, a respected prosecutor in Geneva, is in custody for shooting a man, now between life and death. She admits her guilt but seems unable to explain her act. Her interrogation and that of her relatives will allow Anne to finally free herself from her past.

This coming-of-age drama deals with a young man, realizing who he really is and which things he will never do...

Margaret, 35, has a history of violent behaviour which has cost her a romantic relationship. She has moved back in with her mother Christina, a fragile, immature 55-year-old woman who blames Margaret, her firstborn, for ruining her dreams of a career as a concert pianist. In a state of unbridled fury during an argument, Margaret hits Christina. The law steps in, further complicating family dynamics. As she awaits trial, Margaret is forbidden from coming into contact with her mother or within 100 metres of their home. This only intensifies her desire to be closer to her family. Every day, Margaret appears at this 100-metre threshold to see her 12-year-old sister Marion and give her music lessons.

It is April 1974 and Julie Dujonc-Renens, young feminist journalist and the cunning Joseph-Marie Cauvin, leading reporter for the Swiss radio, have been sent to Portugal to investigate Switzerland’s aid to poor countries. Sparks fly during the bus trip with Bob, sound engineer approaching retirement. The projects financed by Switzerland prove to be calamitous and the workers’ revolution that suddenly breaks out doesn’t help, obliging our heroes to disregard first the radio’s management, and then their own codes of conduct.

A young woman obsessively trains to be a track-and-field star.

Psychological drama about a young, inexperienced film reviewer who falls for the charms of a well-established female colleague. A challenging look at the essence of film critique as well as an erotic encounter between two unequals.

On February 27, 2009, pupil Benjamin Feller commits a crime which he has meticulously described beforehand in a diary entry. He goes to the post office to send the diary entry to his teacher before he shoots his parents and turns himself in to the police. His teacher Esther Fontanel tries to understand the events in retrospect. But as the journal’s addressee, she is increasingly targeted by the police herself.