Monique Rysselinck

In 1941, the inhabitants of a small Jewish village in Central Europe organize a fake deportation train so that they can escape the Nazis and flee to Palestine.

Eleven directors from eleven countries each contribute an eleven-minute short reflecting on the events of 11 September 2001: A village teacher in Iran tries to explain to her young students what's happened; city kids in Burkina Faso think they've spotted Osama bin Laden; a deaf Frenchwoman in Manhattan writes a Dear John letter to a man who left that morning for work at the World Trade Center; a Chilean remembers Allende; events recall other deaths; a mother endures more than her son's death. Tones vary, as do the locales. Most concern coming to terms with the events of the day, but at least one confronts the viewer with tragedy and death.

A 40-year-old architect begins to doubt his role as a father in a world sliding into decadence. When he meets a young Polish girl he runs off with her to Rhodes. His psycho-moralistic angst is presented in a series of flashbacks when the hijack of his airplane forces him to take stock of his life.

Mathieu Grégoire is an esteemed author who lives in Spa with his wife and daughter and leads a carefully structured life. One day, while out in the desolate landscape of the High Fens he meets a mysterious woman whom he calls 'Belle'. An obsessive passion is kindled in Mathieu and in a short space of time he loses all control over his existence.

Leaving Europe to look for Akiko, Jean-Noël discovers her city, the exotic Tokyo. A documentary on everyday life in Tokyo, its KABUKI theater, its nostalgic TAKENOKOZOKU dances, its thousands of suit-and-tie executives, its geishas, its Western style marriages, its tranquil green areas, its pulsating nightlife...

Three erotic stories from classic writers Marguerite de Navarre, Nicolas Restif de la Bretonne and Guy de Maupassant.

A compilation film, divided into four separate segments, that explores the life and work of the Flemish expressionist painter Frits Van den Berghe (1883–1939). What makes this inspired art film special is that director Buyens does not use a voice-over or commentary text, a deliberate choice intended to give the viewer the opportunity to discover and interpret the painter’s world on their own. Another striking feature is its stripped-down soundtrack, featuring music by Arsène Souffriau.

A teenage girl's running away from home causes a lot of soul-searching in a family dominated by an authoritarian grandmother.