Lucila Rivas

Summer, 1984. A young couple decides to go on a holiday trip to a quiet hotel in the province of Buenos Aires

In an almost empty Buenos Aires, without power or gas, a suicidal young man is forced to survive.

Clavo is a romantic daydreamer of a boy. Polilla is a fierce and beautiful girl. They both wake up in a strange world with a terrible thirst; a world where trees have faces, and where unique and fearful creatures roam. Above all things, and nevertheless, there are no sources of food to be found. Therefore, Clavo and Polilla must come up with a plan in order to survive.

A hunter, in his eagerness to hunt a pig, finds himself trapped in the forest.

With the strange disappearance of Laura, two colleagues, her older boyfriend, Rafael, and Ezequiel, learn of their recent discoveries, which may help them locate her. However, the story is bigger and stranger than they could imagine.

A photographer goes to work at a party. There he meets Sátira, a singer who will transform his night in an unexpected way. Among drinks, cigarettes and glances that say more than they should, the night becomes a scenery for tensions, complicities and small escapes.

Feo Thernandez develops a hypothesis about each of his balls. The right one, if it were a person, would be the Brad Pitt of the suburbs. The left one, on the other hand, poses a much more complex theory.

It’s winter holidays and fourteen-year-old Ana discovers that the metal plate she has in her arm from an accident she suffered as a child is now receiving a strange message in Morse code.

A pizza delivery man is constantly late for work. His boss gives him one last chance to keep his job. When he arrives at the delivery address, he meets his ultimate idol, the rock star Charly Dopamine and his girlfriend Lucy.

Dance becomes a vehicle to show love's different phases. Amor y Asfixia consists of three scenes that seek to dismantle certain social stereotypes linked to the women's body and its role in dance. It's a short film that experiments with the human body to initiate a bigger discussion.

The second installment of the adventures of the Corsini Commando takes us this time to the Pampas plain, where Corsini grew up and forged a vision of the world that would accompany him throughout his life. The result of this excursion is an erratic wandering through the landscapes of the Homeland, its paradoxes and its ghosts: A land dreamed of by a newly arrived foreigner who imagined for himself a gaucho destiny that would never become completely real. Now then: is that not, in the end, the destiny of all things?