Trenque Lauquen

Waiting alone for her boyfriend at a hotel, a woman starts paying attention to the mysterious behavior of some guests.

“This is a film about the end of a friendship. It wasn’t meant to be. Fifteen years ago, they painted my portrait.” (Mariano Llinás)

A biography of Jorge Luis Borges working from an exhaustive review of the papers he left, the books he read, the places he went to. And with this, an attempt to decipher a very peculiar life: someone who lived like a hidden, underground warrior, whose cause was literature, literature conceived as a kingdom and as a landscape. If Cold War spies fought from their desks or from an uninhabited house to defend their half of the world, Borges strove from a library to elevate and broaden the territories of his own tribe: the people for whom the most important part of the universe is books, plots and words. This film is devoted to that secret pilgrim (to borrow from Le Carré, the king of all spies).

X arrives in a small town and witnesses a violent act; Z takes the job of a dead manager and discovers that he had a notebook written in code and a map; H is hired to go down a river and investigate a series of mysterious monoliths built on the shore.

An enormous effort of narrative complexity made up of six independent, successive stories, connected by the same four actresses living very different experiences in very different universes…

Nothing went as planned: what seemed to be an original idea (taking an international fashion event to a small town in the Argentine Pampas) ended up as a mysterious affair, with a mannequin who seems to have vanished, and who insists on leaving small clues scattered across the immense plains. But nothing seems to be too strange for Commissioner Sirota and her particular method which, this time, includes a clairvoyant, a legendary detective arriving from Santa Rosa and some picturesque “peritas” who choose to work at night, swinging to the rhythm of Ska. In the middle, a disturbing question: Is it a police case they are dealing with, or is someone taking them (the police, the whole town, the Italians – all of us, perhaps) for a fool?

A comedy during confinement? Probably so. A portrait of a little girl and her family during confinement? Apparently so. An absurd, Beckettian musical shot during confinement? Exactly, yes.

A french engineer travels in a ship that stops in Buenos Aires, where he must deliver a packet to a mysterious man that is to hard to catch. He then must pursuit him in a labyrinthic city.

The second installment of the adventures of the Corsini Commando takes us this time to the Pampas plain, where Corsini grew up and forged a vision of the world that would accompany him throughout his life. The result of this excursion is an erratic wandering through the landscapes of the Homeland, its paradoxes and its ghosts: A land dreamed of by a newly arrived foreigner who imagined for himself a gaucho destiny that would never become completely real. Now then: is that not, in the end, the destiny of all things?

On 9 July – Argentina’s Independence Day – Llinás sets off in Buenos Aires with his regular cameraman Agustín Mendilaharzu to re-record ‘Corsini interpreta a Blomberg y Maciel’, an album made in 1929 by lyricist Hector Pedro Blomberg and composer Enrique Maciel, as an ode to Juan Manuel de Rosas, leader of the Argentine Confederation.

Is this film about Clorindo Testa or not? Is it about the life of the director, about the life of his father, about the life of his country, or is it just one of those biographical films that proliferate at film festivals in which the narrator spends his time recounting family anecdotes and pulling old photos out of a box? This small, microscopic adventure, whose subtitle, stolen from the Savoyard Xavier de Maistre, could well be Voyage autour de mon père, navigates between these threats and others even worse.

Loro, a sound recordist, meets Luciana, a dancer, and falls in love whit her. When she quits their ballet production and leaves, Loro looks for her in San Francisco, Argentina.

Roque starts University in Buenos Aires but he is not particularly interested in attending classes or working towards a degree. Instead, he dedicates his time to one of the many groups vying for control of the university, motivated less by grand political ideals than by a wish to get close to Paula, an attractive young teacher heavily involved in internal university politics.

A filmmaker fails to portray an artist couple. Between music, painting and cinema, he achieves, however, an exceptional comedy of colours. Work inspired by the book "Kunst der Farbe" by Johannes Itten.

For the unique 2x25 project, the festival asked 25 composers to compose a short piece of music, after which 25 filmmakers made a short film. A short film by Laura Citarella with music by Eiko Ishibashi.

The protagonist of Dog Lady is a woman (Llinás) who lives on the outskirts of Buenos Aires with a pack of dogs, in a house like so many other humble shacks in the urban sprawl of the city.

The annual short film competition for directors organized and produced by the INCAA presents ten new works.