Jesús como arquero de fútbol

José Roberto, a solitary man of about 60 years, after long days of work embarks on a walk with his son, where the weather and the rain promise the worst expectations.

A human comes into possession of a strange artifact that allows them to accelerate into an advanced stage of human evolution. Their transformation is initially terrifying, but eventually accepted. The old body dies and a new state of being emerges.

Vorágine follows the lives of a group of young dancers over the course of a year and a half in post-pandemic Argentina. Through rehearsals, spontaneous conversations, and shared pauses in dressing rooms and city spaces, it captures the emotional and physical intensity of artistic work, the essence of youth, and the strength of human connection, alongside the desires and uncertainties they face. It is an intimate portrait, immersed in the everyday rhythm of creation and life, torn between passion and weariness, staying and leaving.

Dance becomes a vehicle to show love's different phases. Amor y Asfixia consists of three scenes that seek to dismantle certain social stereotypes linked to the women's body and its role in dance. It's a short film that experiments with the human body to initiate a bigger discussion.

"Cáscara" is a contemporary dance piece composed for Vórtice company and directed by Luciano Cejas.