Jesús como arquero de fútbol

José Roberto, a solitary man of about 60 years, after long days of work embarks on a walk with his son, where the weather and the rain promise the worst expectations.

Vorágine portrays the lives of a group of young dancers over a year and a half in post-pandemic Buenos Aires. Through rehearsals, conversations, breaks in the dressing rooms, and encounters around the city, the film captures the emotional and physical intensity of artistic labor. Set within the everyday rhythm of creation, between passion and exhaustion, between staying and leaving, Vorágine is an intimate document about the essence of youth.

A human comes into possession of a strange artifact that allows them to accelerate into an advanced stage of human evolution. Their transformation is initially terrifying, but eventually accepted. The old body dies and a new state of being emerges.

In an almost empty Buenos Aires, without power or gas, a suicidal young man is forced to survive.

"Cáscara" is a contemporary dance piece composed for Vórtice company and directed by Luciano Cejas.

Dance becomes a vehicle to show love's different phases. Amor y Asfixia consists of three scenes that seek to dismantle certain social stereotypes linked to the women's body and its role in dance. It's a short film that experiments with the human body to initiate a bigger discussion.