Nour El-Sherif

Eleven directors from eleven countries each contribute an eleven-minute short reflecting on the events of 11 September 2001: A village teacher in Iran tries to explain to her young students what's happened; city kids in Burkina Faso think they've spotted Osama bin Laden; a deaf Frenchwoman in Manhattan writes a Dear John letter to a man who left that morning for work at the World Trade Center; a Chilean remembers Allende; events recall other deaths; a mother endures more than her son's death. Tones vary, as do the locales. Most concern coming to terms with the events of the day, but at least one confronts the viewer with tragedy and death.

A girl (Suheir Ramzi) tells her friends that she lives in an upscale neighborhood and her father is a high rank in the government while she lives a poor life. She comes up with a rumor that a famous tennis player had fallen in love with her, and the tennis player (Nour Al-Sharif) finds out and plays along.

In the 12th century's Andalusia lives Ibn Rushd a prominent Islamic philosopher with his wife Zeinab and daughter Salma. The principality is ruled by Khalifa ElMansour who has two sons, ElNasser, an intellectual that likes Ibn Rush and is in love with his daughter Salma. The younger son Abdallah is more into dancing and poetry, spending most of his times with the gypsy family and getting the daughter pregnant. The Khalifa is depending on the extremists to build his army granting them more power which they use to combat artists and philosophers. The extremists succeed in recruiting Abd Allah and train him to kill his father. Events go on where Marawan, the gypsy singer, is killed and Ibn Rushd's books are burnt. Adapted from the real life of Ibn Rushd AlMasir is Chahine's statement against extremism.

The lives of residents in an old Cairo building, "The Yacoubian Building," are affected by issues like corruption, extremism, class disparity, and sexuality. Through diverse characters, the film offers a critical examination of Egyptian society.

The events revolve around a man who is killed on his wedding day, then is held accountable in the afterlife, meets some people, and tells us how people can live their lives in this world and know that good deeds are what lasts forever.

Abdullah, a car driver, is accused in the murder of the thug Magdy and a friend of the Ghanaian Nawal. This criminal escapes after he tried to defend himself, but the events follow and he is also accused of killing the Ghanaian Nawal, he lands in one of the villas where Murad and his wife live with their young son, and Abdullah takes from the house residents Hostages so he can escape

After we last see him in "Alexandria, Why?" Egyptian filmmaker Yehia Mourad is in his thirties, and successful in his work, he has grown distant from his wife and children and suffers a symbolic blockage of the heart while shooting the final scenes of his latest film. After being flown to England for evaluation, it's determined that Yehia must undergo emergency surgery. Fact and fiction blend seamlessly—with healthy doses of cleverly absurdist fantasy—as the film explores the various personalities and forces that have made Yehia (and Youssef Chahine) the man he has become.

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