The Baby Doll Night

Two police officers struggle to survive when they become trapped beneath the rubble of the World Trade Center on September 11, 2001.

Eleven directors from eleven countries each contribute an eleven-minute short reflecting on the events of 11 September 2001: A village teacher in Iran tries to explain to her young students what's happened; city kids in Burkina Faso think they've spotted Osama bin Laden; a deaf Frenchwoman in Manhattan writes a Dear John letter to a man who left that morning for work at the World Trade Center; a Chilean remembers Allende; events recall other deaths; a mother endures more than her son's death. Tones vary, as do the locales. Most concern coming to terms with the events of the day, but at least one confronts the viewer with tragedy and death.

Based on Mariane Pearl's account of the terrifying and unforgettable story of her husband, Wall Street Journal reporter Danny Pearl's life and death.

Five random strangers find themselves trapped in an elevator in the World Trade Center's North Tower on 9/11. They work together, never giving up hope, to try to escape before the unthinkable happens.

After a "white lie" which spirals out of control, a neurotic, naive and musically gifted Muslim cleric's eldest son must follow through with an arranged marriage, except he is madly in love with an Australian born-Lebanese girl.

After living abroad, Lana returns to the United States, and finds that her uncle is a reclusive vagabond with psychic wounds from the Vietnam War.

A real-time account of the events on United Flight 93, one of the planes hijacked on 9/11 that crashed near Shanksville, Pennsylvania when passengers foiled the terrorist plot.

The plot follows three friends in New York City whose lives are upended by the 9/11 attacks leading to suspicion, FBI involvement, and a story about friendship, identity, and the aftermath of terrorism.

A fictional investigative documentary looks back on the "assassination" of George W. Bush and attempts to answer the question of who committed the murder. Perhaps less morbid and disturbing to watch now than during Bush's presidency, the film doesn't address Bush's policies at all, instead focusing on the way a nation assigns blame in a time of crisis.