Luz, Câmera, 50 Anos: As Noivas de Copacabana - O Filme

A precious necklace is stolen during a convention at Quitandinha Palace, a hotel in which a wives conference is deciding whether or not unfaithful husbands should receive the death penalty.

Documentary about race car driver Emerson Fittipaldi

Lampião's gang raids a farm just as the wedding of Antônio Saraiva and the Baroness's goddaughter is being prepared. In the shootout, Lampião's brother, Ezequiel, is killed, and in revenge, Lampião burns the Baroness alive and orders the bride to be beaten. Upon arriving at the farm, Antônio discovers everything and vows to follow the gang's footsteps to hell. The cangaceiros continue their atrocities, robbing, killing, and looting, until a priest places a curse on Lampião. The curse transforms into the avenging figure of Antônio, who acquires supernatural powers. He meets Lampião during Maria Bonita's birthday party, and a life-or-death duel ensues.

The story of the first steps of a very young couple. Their love is great, as are the financial obstacles and an unexpected pregnancy.

A lady, owner of a large area of land where it is believed there are several oil wells, is almost fooled by the president of a pseudo petroleum company into giving up her property for nothing, but is saved by his son's noble intervention.

Cabral is a writer who decides to spend his summer writing a series about love stories. It is then that he begins to look back over his life and his works. He is married to Glorinha, a woman twenty years younger than him, with whom he has a daughter, the young Samanta. Glorinha dreams of having a second child, but Cabral rejects the woman's desire, creating a stalemate between the two.

Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.

Expelled from the mansion where he was raised, driver Mariel becomes wealthy as a religious leader, while the Tavares Branco family goes into financial ruin.

Five friends decide to enjoy Mardi Gras without their wives, leaving them home. But one of the wives doesn't accept this arrangement and tries to get even.

Zezé is an eight-year-old boy who lives with his grandmother and suffers the drama of not having known his father. Amanda, Zezé's mother, is a beautiful but disillusioned young woman. She tells her son that his father is constantly traveling, trying to hide her own pain. Father's Day arrives and, at school, the teacher is preparing a party. Zezé, humiliated in front of his classmates, promises that he will bring his father on the day of the celebration. Zezé begs his grandmother to show him at least one photograph of his father. The old woman mistakenly gives him a photo of the singer Tony Marques, her daughter's former boyfriend. Zezé sets off to find her supposed father and ends up getting disastrously involved in the singer's life.

Pra Quem Fica, Tchau tells the story of a teenager from the interior who comes to Rio, financed by an uncle, and goes to live with a womanizer cousin.

Based on true events in Rio de Janeiro, in 1960, when a gang having the infamous outlaw Tião Medonho as a leader performed a sensational railroad hold-up on a train carrying a small fortune.

Maria Moura loses her father in childhood and at the age of 17 finds her mother dead at home. Believing her stepfather to be the killer, Maria seeks revenge for her mother's death.

Mid-1970s. When the military regime's "economic miracle" and the victory of the Brazilian football team on the World Cup serve as a distraction for the persecution of opposition leaders by the political police of the dictatorship. Under this context, Jofre Godoi da Fonseca, an alienated middle-class man, is mistaken for Sarmento, a political activist he met at an airport prior to his assassination. He is then arrested for being "subversive".

During the Carnival, in Niterói, the son of a Lira do Delírio nightclub dancer is kidnapped. With the help of a journalist friend, she dives into Rio de Janeiro's underworld and meet all kind of criminals. She also goes back in time, to a past carnival, where she thinks she might pin-point the culprit among a group of people.