Julien Temple

In this musical comedy, Valerie is dealing with her philandering fiancé, Ted, when she finds that a trio of aliens have crashed their spaceship into her swimming pool. Once the furry beings are shaved at her girlfriend's salon, the women discover three handsome men underneath. After absorbing the native culture via television, the spacemen are ready to hit the dating scene in 1980s Los Angeles.

A musical adaptation of Colin MacInnes' novel about life in late 1950s London. Nineteen-year-old photographer Colin is hopelessly in love with model Crepe Suzette, but her relationships are strictly connected with her progress in the fashion world. So Colin gets involved with a pop promoter and tries to crack the big time. Meanwhile, racial tension is brewing in Colin's Notting Hill housing estate...

A tough, Jewish ex-con just released from prison crosses a powerful drug dealer and former prison rival in his return to a life of crime.

As the front man of the Clash from 1977 onwards, Joe Strummer changed people's lives forever. Four years after his death, his influence reaches out around the world, more strongly now than ever before. In "The Future Is Unwritten", from British film director Julien Temple, Joe Strummer is revealed not just as a legend or musician, but as a true communicator of our times. Drawing on both a shared punk history and the close personal friendship which developed over the last years of Joe's life, Julien Temple's film is a celebration of Joe Strummer - before, during and after the Clash.

Julien Temple's second documentary profiling punk rock pioneers the Sex Pistols is an enlightening, entertaining trip back to a time when the punk movement was just discovering itself. Featuring archival footage, never-before-seen performances, rehearsals, and recording sessions as well as interviews with group members who lived to tell the tale--including the one and only John Lydon (aka Johnny Rotten).

A brief history of the Cuban capital of Havana, backed by a vibrant soundtrack of son cubano, salsa, jazz, rumba, mambo and hip hop. Drawing on archive footage, animations, movie excerpts and interviews with Havana residents, eyewitnesses and experts, Habaneros runs through key moments in the city’s modern history, from the abolition of slavery at the end of the 19th century to the Spanish–American War, and from the dictatorship of General Batista to the revolution of Fidel Castro. The film concludes by wondering what the future holds. Many Havana locals are encouraged by President Obama’s relaxation of sanctions, but much uncertainty remains.

Based on the life of a classic french cineast Jean Vigo, the story follows his daily struggle with sanity, normal life and uncompromising filmmaking. Story also focuses on his relationship with his supporting wife whom he met in sanatorium.

A celebration of the Irish punk/poet Shane MacGowan, lead singer and songwriter of The Pogues, that combines unseen archive footage from the band and MacGowan’s family with original animations.

Samuel Taylor Coleridge, an unstable but brilliant poet, becomes friends with the unknown William Wordsworth, and together they set out to recreate English poetry in the spirt of liberty and democracy. As time goes by, cracks begin to appear in the relationship. Sam becomes addicted to opium, while William's ego and ambition distance him further from his friend.

London: The Modern Babylon is legendary director Julien Temple's epic time-traveling voyage to the heart of his hometown.

A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."

Following the success of the 1979 show and the financial benefits accruing to Amnesty from the spin-off movie, TV special and record albums – Cleese, Lewis and Walker planned the next show to be a more spectacular event. Cleese focused on broadening the comedic talent to be presented at the show. In addition to the Amnesty show stalwarts drawn from the Oxbridge/Monty Python/Beyond The Fringe orbit, he invited newcomers such as Rowan Atkinson’s colleagues from the BBC TV show Not the Nine O'Clock News including Pamela Stephenson and Griff Rhys Jones; comedian Victoria Wood and regional comic Jasper Carrott. Lewis secured a return appearance by Billy Connolly and a debut appearance by "alternative" comedian Alexei Sayle who Lewis had recently discovered and was managing. Building on the success of Pete Townshend's 1979 appearance Lewis recruited other rock musicians to perform at the 1981 show including Sting, Phil Collins, Eric Clapton, Jeff Beck, Donovan and Bob Geldof.

Special 35th anniversary edition CD/DVD box set of "Never Mind The Bollocks, Here's The Sex Pistols". Includes: Riverboat Party (Queen Elizabeth River Boat, The River Thames, London, June 7th 1977) / Happy House Stockholm (Sweden, July 28th 1977) / Winter Gardens (Penzance, Cornwall, September 1st, 1977 (S.P.O.T.S. Tour)) / Promo Videos / Interviews

Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.

Julien Temple's wartime documentary parody "Punk Can Take It" (1979) - a theatrically released promo for the UK Subs, complete with narration by BBC voice-over veteran John Snagge - paints a glorious picture of England in a punk rock "identity crisis". Punk morale was higher than ever before. Punks were fused together not by fear, but by a surging spirit of revenge, immortality, and the courage never to submit or yield. This proved that punk won't go away and that punks themselves are becoming younger and nastier everyday. They have no time for the precarious thrills of nostalgia nor for its trivial rules.

A tongue-in-cheek "behind the scenes" look at the Comic Strip comedy club in the early 1980s, which gave rise to 'The Comic Strip Presents'

Johnny Pigozzi—photographer, heir, and legendary collector—pioneered the celebrity selfie in the 1970s, built an elite social network, and assembled the world's best contemporary African art collection.

A rock singer goes to Brazil to shoot a video, but winds up getting kidnapped and enduring a number of seemingly bizarre and hilarious events.

This unique and innovative project provides a compelling audiovisual journey into 2,000 years of Ibiza’s bohemian soul. The film captures Temple’s iconic style and boasts a soundtrack curated by world renowned artist Fatboy Slim, including his smash hits RIGHT HERE, RIGHT NOW; EAT SLEEP RAVE REPEAT as well as legendary tracks from artists including Ultra Nate, Cream, Brian Eno, The Dandy Warhols, The Sex Pistols and more.

A filming of the 1990 Rolling Stones "Steel Wheels" concert that traveled Europe. This was filmed in the IMAX process, which allows the film to be projected in a size ten times the size of a regular 35mm projected image.

Promotional music video for album of the same name.

There'll Always Be an England' - named after Vera Lynn's stirring intro music - was recorded on Saturday, November 10th and captures the energy and excitement of the band and the crowd. The whole of the classic 'Never Mind The Bollocks' album is performed, together with a mixture Pistols cover versions, b-sides and even an impromptu crowd sing-along of 'I Do Like To Be Beside the Seaside'.

Jazzin' for Blue Jean is a 20-minute short film featuring David Bowie and directed by Julien Temple. It was created to promote Bowie's single "Blue Jean" in 1984 and released as a video single. The film depicts the adventures of the socially incompetent Vic (played by Bowie) as he tries to win the affections of a beautiful girl by claiming to personally know her favorite rock star, Screaming Lord Byron (also played by Bowie).

We Are Scissor Sisters... And So Are You is the first DVD by the Scissor Sisters, released on November 29, 2004. It contains a full live concert filmed at Brighton Dome in August 2004, featuring backstage footage and extras. It includes the documentary "Return To Oz" (directed by Julien Temple) which tells the story of the Scissor Sisters. There is also a separate 10 minute skit directed by Andy Soup which has the band dressed up as characters from The Wizard of Oz, which also includes "terribly bad acting" as mentioned on their official website.

A brand new take on the most transformative force in British popular music history.