Vigo

I Am a Mutoid: A Glastonbury Hero

Spreading the gospel of "Mutation", Joe Rush and his Mutoid Waste Company, an underground collective of wild and subversive performers whose credo is the art made of waste, the parties and the road, shake up the alternative cultural history of Europe.

The Comic Strip

A tongue-in-cheek "behind the scenes" look at the Comic Strip comedy club in the early 1980s, which gave rise to 'The Comic Strip Presents'

We Are Scissor Sisters... And So Are You

We Are Scissor Sisters... And So Are You is the first DVD by the Scissor Sisters, released on November 29, 2004. It contains a full live concert filmed at Brighton Dome in August 2004, featuring backstage footage and extras. It includes the documentary "Return To Oz" (directed by Julien Temple) which tells the story of the Scissor Sisters. There is also a separate 10 minute skit directed by Andy Soup which has the band dressed up as characters from The Wizard of Oz, which also includes "terribly bad acting" as mentioned on their official website.

Oil City Confidential

Director Julien Temple's film celebrates Canvey Island's Dr Feelgood, the Essex R 'n' B band that exploded out of the UK in the prog era of the early Seventies, delivering shows and albums that helped pave the way for pub rock and punk.

David Bowie: Jazzin' for Blue Jean

Jazzin' for Blue Jean is a 20-minute short film featuring David Bowie and directed by Julien Temple. It was created to promote Bowie's single "Blue Jean" in 1984 and released as a video single. The film depicts the adventures of the socially incompetent Vic (played by Bowie) as he tries to win the affections of a beautiful girl by claiming to personally know her favorite rock star, Screaming Lord Byron (also played by Bowie).

Punk Britannia

A brand new take on the most transformative force in British popular music history.

The Public Image Is Rotten

British rock icon John Lydon and fellow bandmates recall the years they spent performing as Public Image Ltd.

Joe Strummer: The Future Is Unwritten

As the front man of the Clash from 1977 onwards, Joe Strummer changed people's lives forever. Four years after his death, his influence reaches out around the world, more strongly now than ever before. In "The Future Is Unwritten", from British film director Julien Temple, Joe Strummer is revealed not just as a legend or musician, but as a true communicator of our times. Drawing on both a shared punk history and the close personal friendship which developed over the last years of Joe's life, Julien Temple's film is a celebration of Joe Strummer - before, during and after the Clash.

The Filth and the Fury

Julien Temple's second documentary profiling punk rock pioneers the Sex Pistols is an enlightening, entertaining trip back to a time when the punk movement was just discovering itself. Featuring archival footage, never-before-seen performances, rehearsals, and recording sessions as well as interviews with group members who lived to tell the tale--including the one and only John Lydon (aka Johnny Rotten).

Biceps of Steel

A modern retelling of the Samson and Delilah story. A super roadie fights evil bouncers stopping a rock and roll crowd from having a good time. He then falls foul of an evil wench who seduces and cuts his hair in order to take away his strength.

London: The Modern Babylon

London: The Modern Babylon is legendary director Julien Temple's epic time-traveling voyage to the heart of his hometown.

The Great Rock 'n' Roll Swindle

A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."

Bullet

A tough, Jewish ex-con just released from prison crosses a powerful drug dealer and former prison rival in his return to a life of crime.

Mantrap

A longform video that showcases the British pop group ABC, using songs from their album "The Lexicon of Love" to tell a spy-caper story of how the unsuspecting lead singer, Martin Fry, is duped into fronting the band because of his striking resemblance to another man associated with espionage. Will he stumble onto the deception before it is too late for him?

Punk Can Take It

Julien Temple's wartime documentary parody "Punk Can Take It" (1979) - a theatrically released promo for the UK Subs, complete with narration by BBC voice-over veteran John Snagge - paints a glorious picture of England in a punk rock "identity crisis". Punk morale was higher than ever before. Punks were fused together not by fear, but by a surging spirit of revenge, immortality, and the courage never to submit or yield. This proved that punk won't go away and that punks themselves are becoming younger and nastier everyday. They have no time for the precarious thrills of nostalgia nor for its trivial rules.

Running Out of Luck

A rock singer goes to Brazil to shoot a video, but winds up getting kidnapped and enduring a number of seemingly bizarre and hilarious events.

They Look Like People

Suspecting that people are transforming into malevolent shape-shifters, Wyatt flees to New York City to seek out his estranged childhood friend Christian.

The Other Side of the Wind

At a media-swamped party to celebrate his seventieth birthday and screen his avant-garde film-in-progress, a legendary but jaded Hollywood director is faced both with voracious fans and unsettling questions about what became of his lead actor.

Youth

Two lifelong friends bond whilst vacationing in a luxury Swiss Alps lodge as they ponder retirement. While Fred has no plans to resume his musical career despite the urging of his loving daughter Lena, Mick is intent on finishing the screenplay for what may be his last important film for his muse Brenda. And where will inspiration lead their younger friend Jimmy, an actor grasping to make sense of his next performance?

Kodachrome

Matt Ryder is convinced to drive his estranged and dying father Benjamin Ryder cross country to deliver four old rolls of Kodachrome film to the last lab in the world that can develop them before it shuts down for good. Along with Ben's nurse Zooey, the three navigate a world changing from analogue to digital while trying to put the past behind them.