Ibiza: The Silent Movie

Blur: The Best Of is a greatest hits compilation album by English Britpop band Blur, first released in late 2000 and is the final Blur album by Food Records. It was released on CD, cassette tape, MiniDisc, double 12" vinyl record, DVD and VHS. The CD album includes 17 of Blur's 23 singles from 1990 to 2000, plus non-single, "This Is a Low". A special edition of the CD version included a live CD. The DVD/VHS version contains the videos of Blur's first 22 singles. The album, which has had enduring sales, hit number 3 in the band's native UK in the autumn of 2000, while denting the US charts at number 186. The cover is by artist Julian Opie. The painting of this Blur album can be found at the National Portrait Gallery in London, England. The album's cover bears some similarity to that of Queen's 1982 Hot Space.

A celebration of the Irish punk/poet Shane MacGowan, lead singer and songwriter of The Pogues, that combines unseen archive footage from the band and MacGowan’s family with original animations.

A tongue-in-cheek "behind the scenes" look at the Comic Strip comedy club in the early 1980s, which gave rise to 'The Comic Strip Presents'

Jazzin' for Blue Jean is a 20-minute short film featuring David Bowie and directed by Julien Temple. It was created to promote Bowie's single "Blue Jean" in 1984 and released as a video single. The film depicts the adventures of the socially incompetent Vic (played by Bowie) as he tries to win the affections of a beautiful girl by claiming to personally know her favorite rock star, Screaming Lord Byron (also played by Bowie).

A brand new take on the most transformative force in British popular music history.

As the front man of the Clash from 1977 onwards, Joe Strummer changed people's lives forever. Four years after his death, his influence reaches out around the world, more strongly now than ever before. In "The Future Is Unwritten", from British film director Julien Temple, Joe Strummer is revealed not just as a legend or musician, but as a true communicator of our times. Drawing on both a shared punk history and the close personal friendship which developed over the last years of Joe's life, Julien Temple's film is a celebration of Joe Strummer - before, during and after the Clash.

A filming of the 1990 Rolling Stones "Steel Wheels" concert that traveled Europe. This was filmed in the IMAX process, which allows the film to be projected in a size ten times the size of a regular 35mm projected image.

Disc 1: Oh. You Pretty Things, Queen Bitch), Five Years, Starman, John I'm Only Dancing, The Jean Genie, Space Oddity, Drive-in Saturday, Life on Mars?, Ziggy Stardust, Rebel Rebel, Young Americans, Be My Wife, "Heroes," Boys Keep Swinging, D.J., Look Back in Anger, Ashes to Ashes, Fashion, Wild Is the Wind, Let's Dance, China Girl, Modern Love, Cat People (Putting Out Fire), Blue Jean, Loving the Alien, Dancing in the Street (with Mick Jagger) Disc 2: Absolute Beginners, Underground, As the World Falls Down, Day-In Day-Out, Time Will Crawl, Never Let Me Down, Fame '90, Jump They Say, Black Tie White Noise, Miracle Goodnight, Buddha of Suburbia, The Heart's Filthy Lesson, Strangers When We Meet, Hallo Spaceboy, Little Wonder, Dead Man Walking, Seven Years in Tibet, I'm Afraid of Americans, Thursday's Child and Survive.

Johnny Pigozzi—photographer, heir, and legendary collector—pioneered the celebrity selfie in the 1970s, built an elite social network, and assembled the world's best contemporary African art collection.

Julien Temple's second documentary profiling punk rock pioneers the Sex Pistols is an enlightening, entertaining trip back to a time when the punk movement was just discovering itself. Featuring archival footage, never-before-seen performances, rehearsals, and recording sessions as well as interviews with group members who lived to tell the tale--including the one and only John Lydon (aka Johnny Rotten).

A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."

London: The Modern Babylon is legendary director Julien Temple's epic time-traveling voyage to the heart of his hometown.

Following the success of the 1979 show and the financial benefits accruing to Amnesty from the spin-off movie, TV special and record albums – Cleese, Lewis and Walker planned the next show to be a more spectacular event. Cleese focused on broadening the comedic talent to be presented at the show. In addition to the Amnesty show stalwarts drawn from the Oxbridge/Monty Python/Beyond The Fringe orbit, he invited newcomers such as Rowan Atkinson’s colleagues from the BBC TV show Not the Nine O'Clock News including Pamela Stephenson and Griff Rhys Jones; comedian Victoria Wood and regional comic Jasper Carrott. Lewis secured a return appearance by Billy Connolly and a debut appearance by "alternative" comedian Alexei Sayle who Lewis had recently discovered and was managing. Building on the success of Pete Townshend's 1979 appearance Lewis recruited other rock musicians to perform at the 1981 show including Sting, Phil Collins, Eric Clapton, Jeff Beck, Donovan and Bob Geldof.

A tough, Jewish ex-con just released from prison crosses a powerful drug dealer and former prison rival in his return to a life of crime.

There'll Always Be an England' - named after Vera Lynn's stirring intro music - was recorded on Saturday, November 10th and captures the energy and excitement of the band and the crowd. The whole of the classic 'Never Mind The Bollocks' album is performed, together with a mixture Pistols cover versions, b-sides and even an impromptu crowd sing-along of 'I Do Like To Be Beside the Seaside'.

In this musical comedy, Valerie is dealing with her philandering fiancé, Ted, when she finds that a trio of aliens have crashed their spaceship into her swimming pool. Once the furry beings are shaved at her girlfriend's salon, the women discover three handsome men underneath. After absorbing the native culture via television, the spacemen are ready to hit the dating scene in 1980s Los Angeles.