Monika Oschek

Alma is a scientist coerced into participating in an extraordinary study in order to obtain research funds for her work. For three weeks, she has to live with a humanoid robot tailored to her character and needs, whose artificial intelligence is designed to be the perfect life partner for her. Enter Tom, a machine in human form in a class of its own, created solely to make her happy.

Charting the rise and fall of three corrupt real estate agents who accumulate absurd wealth in no time but fall into a vortex of fraud, greed and drugs.

Lucy is tired of being the perfect mother. When a department store security guard searches her stroller, he finds more than he could ever have imagined.

The dress is too lavish and the toilet cubicle too small for the bride to fit in. The ballroom is jam-packed and the mood is alarmingly good. Something is about to burst: the groom’s delusion of grandeur? The pregnant belly of deaf Betti? Her step-father’s patience? Or the wine-filled bladder of his ex-wife?

The documentary addresses the questions, who are the film industry’s female faces? What are their voices, which experiences have they had, and above all: What do they wish for the future? In an interview format, the documentary focuses on the protagonists and their individual experiences. The ensemble includes nearly 30 actors, writers, directors, and producers. By means of personal conversations, the audience gains an intense and authentic insight into the lives of those working in film. During the filming in the following year, male-diverse participants were also invited to create a multifaceted discourse. The topics include structural and individual issues such as gender equality, power structures, female diversity, and much more. In dialogue with the participants, the documentary looks toward the future: Where are there promising approaches already, where are the opportunities for (self-)empowerment, and how can we initiate change, both individually and collectively?

Alexander Keller is dead in the kitchen. Next to him is his wife Leonie, who called the police and confessed to the crime. Did she kill in cold blood, was it manslaughter or self-defense? Public defender Gottwald gets to the bottom of her client's story.

Young Roman and his mother Oksana leave Ukraine and go to Germany, where she works illegally while they both live with Gert, an old widower who tries to befriend Roman, who struggles for his mother's attention and sees Gert as a rival.

In the fifth film in the series, the two chief commissioners Zorn and Schröder again investigate a truly tricky case in Halle. The script was written by Stephan Ludwig, who wrote the novel as in the previous productions. Directed by the crime-experienced Andreas Herzog. In addition to the two proven chief commissioner actors Stephan Luca and Axel Ranisch play again u. a. Alice Dwyer the prosecutor Borck and Katharina Nesytowa Zorn's girlfriend Malina.