Rival

Russians bombarded Bucha, Borodyanka, Irpin and other cities in the region following their invasion of Ukraine on February 24, 2022. By the time they retreated a month later, the damage was huge: buildings had been destroyed and there were corpses lying in the streets. Filmmakers Mila Teshaieva and Marcus Lenz went in immediately, in time to film local people emerging from their shelters, but never showing the actual atrocities. That wasn’t necessary, as the trauma of war is clear to see on everyone’s faces, including those of the volunteers who rushed in from far and wide to help.

Documentary about the roots of the charismatic nun Crescentia in her Allgäu homeland, her miraculous work and her canonization by the Pope.

Coal mining has shaped Lusatia for generations. In the GDR it was still an important industrial location but, after the fall of communism, companies shut down and livelihoods were destroyed. With the planned phase out of coal, the region is facing another upheaval. Britt Beyer takes a sensitive look at the people who must deal once again with the collapse of existing structures and points of reference.

Born out of fire: on September 19, 2021, a new crater opens up on the Atlantic island of La Palma. Nobody suspects that it will be the largest and incredibly destructive volcanic eruption in Europe for five centuries - a rare chance for scientists to watch evolution at work. ARTE exclusively accompanies the scientific work on the volcano from the first day of the eruption. For almost three months, the volcano hurls gigantic chunks of pyroclastic material, lava and ash out of itself. At times, several rivers of lava are pushed down the mountain flank at a speed of 120 meters per hour. Anything in their way is destroyed and buried under a layer of lava up to 60 meters high.

Showcasing the best in international documentaries, Storyville has developed an enviable reputation since its inception more than a decade ago. Screening over 340 films, from some 70 different countries, the strand has garnered a staggering array of awards: five Oscars, 15 Griersons, three Peabodys and two International Emmys. In true, unique, Storyville style, the new series promises to deliver the strand's usual eclectic mix of compelling stories from across the globe.

What stops two people from being together? A third one. What stops one person from fighting for another? Nothing. Pedro lives in the suburbs, where he works with his father in a garage. Everyday he takes the bus downtown where he goes to school and meets his friends. It's summertime and they all go down to the river where they spend their free time or even their school time. Among joints, motorbike riding and swimming, everything seems to go well with this group of friends, until the moment when Pedro and his best friend find out that both of them like the same girl. Pedro finds himself inside a downward spiral, where everything around him seems to fall apart. Like a magnet attracts the iron, Pedro seems to attract problems, from the school until his relationship with his parents. This is the story of Pedro, who by having his head being pushed down so much learned how to breathe under water.

Felizbela loves her husband with obsessive intensity, surrounding him with an explosive mix of passion and jealousy that will inevitably turn into hatred. To keep his attention, she stops at nothing, enduring suffering and humiliation in an attempt to win back his love. But Messias can barely conceal his growing disillusionment with life and his unspoken contempt for his wife. One day, Bárbara — Felizbela’s fragile and rebellious niece — bursts into their lives and upsets the balance: her cousin, her aunt, and above all Messias, who finally allows himself to be carried away by his emotions. Felizbela, however, refuses to give in — and will do whatever it takes to save her family.

Seven directors remember their childhood and youth; to the 50s and 60s in the GDR. They appear to be curious, vulnerable children and teenagers who also want to be cool (even though the word doesn't exist for them yet). They live in well-adjusted or resistant families. Some only in half because their father left for the West. Depending on their family background, they want or should help build the new, better Germany.

Jost roams through the streets of Berlin. He opposes the world enraged, aggressively and furiously in a self-destructive way. He continuously provokes situations proving to himself that everybody hates him. He is convinced he does not need anybody and does not let anyone get close to him. Anna is walled in by her fear and unable to leave her apartment. She manages to keep this situation from all the others in a system of lies. Her reserves draw to a close. She heads for a catastrophe. One day, Jost shows up at her door.

The river Oder: A historical and cultural land-scape churned again and again by the tide of events of the past century. A tale told in concentric circles about a region which was and still is the scene of the beginning, end and open middle of voluntary and involuntary migrations. Virulent issues of daily life and politics that, asked with confident casualness, provide a robust account of the present.

The residents of Bucha, Ukraine, are rebuilding their city from the rubble after surviving the horrors of Russian occupation. A newly married couple, a schoolgirl, a city official, and an elderly housewife have all endured the painful experiences of war, yet they manage to hold onto hope and solidarity. But how do you rebuild in the wake of growing trauma, especially with war still raging in your country? As time hopes for a peaceful life fade, they must grapple with mounting tensions within their communities. Shot over a three-year period, the film is a follow-up to When Spring Came To Bucha, as five protagonists navigate the complex terrain of inner conflicts, trauma, and a longing for justice, posing questions about the future of a society at war.

More than 100,000 individuals will become victims of human trafficking in Europe this year, most of them young women and children. In the face of a never seizing demand and supply, the numbers are on the rise. Human trafficking has become big business in the world of organized crime even without the refugee crisis taken into account. German authorities are talking about every tenth victim being a minor between the ages of 14 and 17, some being considerably younger.