Fernando Martín Peña

After finding the soundtrack of Tararira, the only Argentine surrealist film shot in 1936, lost since then, and starring their great-grand uncles, the Aguilar brothers set out to unravel the family history at the crossroads of the great political events of the 20th century. It is also a story of El Cuarteto Aguilar, a very particular music band, which had an openly lesbian member in the first half of the last century. The discovery of the soundtrack of the lost film leads to a documentary collage that travels through Argentina, Spain and other parts of the world to ask again, one hundred years later, if perhaps the revolution is not also an aesthetic.

An extensive interview with Fernando Solanas and an important amount of unpublished material, the documentary describes the process of making the most influential film of Latin American cinema. It was done exclusively to accompany its home release.

The most transcendent and controversial event since the invention of the seventh art: the disappearance of photographic film. What for many people seems to be simply the result of technological evolution, brings with it paradoxes and contradictions that endanger photographic film heritage and accelerate its deterioration.

The political history of Argentine film censorship narrated through the professional career of Néstor Gaffet (1928-1982), lawyer, film distributor and producer, publicist, occasional screenwriter, critic and teacher.

A documentary of absurdist humor that delves into the immaturity of Witold Gombrowicz, the controversial Polish writer who lived in Argentina and wrote the first existentialist novel.

When she made her first film in 1960, Vlasta Lah was the only woman to direct a sound feature film in Argentina. Her path was arduous and long: from her childhood in a country torn apart by war to her training at the Centro Sperimentale di Cinematografia in Rome, to her arrival in Argentina fleeing another war, where she became the most important assistant director at Estudios San Miguel. Through her personal correspondence and a meticulous investigation, her name will be rescued from oblivion.

This documentary pays homage to 76 89 03, the controversial 2000 film directed by Cristian Bernard and Flavio Nardini. 76 89 23 seeks to deconstruct the past and present from a socio-political, cultural and economic approach, exploring key moments in Argentine history.

Documentary that follows a group of filmmakers who investigate the existence of a Peronist superhero that Perón allegedly proposed to publish. They interview historians, graphic artists, and sociologists to reconstruct this figure, whose evidence was destroyed after the 1955 coup d'état and the persecution of Peronism.