Flesh on Flesh

Miguel Dante, a famous archaeologist and writer of books on magic and the occult, returns to Argentina after many years. The purpose of his trip is to settle old scores with his rival, Professor Tourneur, and an old love.

In 1997, 17-year-old suburban Buenos Aires filmmakers Pablo Parés and Hernan Sáez pooled $450 to co-write/produce/direct and star in a shot-on-VHS zombie epic of such flesh-ripping, gore-spewing greatness that it instantly drew global cult acclaim and redefined the possibilities of extreme DIY horror. Over the next 20 years, Parés, Sáez and their friends would create two increasingly ambitious – and equally brilliant – viscera-soaked sequels (and several short films) that made them “Argentinian George Romeros who’ve built a small empire of gore flicks”

An intriguing ritual execution involving cannibalism.