Ekaterina Kononenko

Henry, a newly resurrected cyborg who must save his wife/creator from the clutches of a psychotic tyrant with telekinetic powers, AKAN, and his army of mercenaries. Fighting alongside Henry is Jimmy, who is Henry's only hope to make it through the day. Hardcore Henry takes place over the course of one day, in Moscow, Russia.

Liza works at night, a taxi ride for her is a moment of much-desired peace. The driver Sasha inspires confidence, he knows the approach to the most demanding client. There are many unexpected turns in the lights of the big city, behind each of which lies a terrible threat. And perhaps the main danger is closer than it seems.

The main character was a standout high school student and graduated university at the highest level. When he reached his 30-s he has found himself a failure: his wife left him for a successful boxer, he got fired from a misearable job, and a morgage that he had to keep up paying off for years ahead. At the most desperate moment the character finds out that that his cunning classmate (Danila Kozlovsky) has become a prosperous businessman and announced a competition for high school students with the prize fund of over a million or rubbles. The main character looks a lot younger than he is, he even gets asked if he is of age when buying alcholol. He gets rid of his beard, fakes his DOB in ID and decides to take a chance in the competition assured that expirience can take over youth.

Liza, a young and optimistic woman, arrives in Saint Petersburg for the first time, enchanted by the city's poetic bridges, legendary embankments, and vibrant bohemian parties. As the day unfolds, unexpected connections form, leading Liza to discover that love might be found in the most unforeseen circumstances.

There's two great loves in Anya's life, her athlete boyfriend Zhenya and food. Zhenya is not happy how Anya has been gaining weight due to her eating habits and decides to dump her. But Anya doesn't want to give up and decides to get rid of excess weight with the help of Nikolai, an overweight man obsessed with the healthy living.

Hoping to change her life, Marina, a small town girl, embarks on a journey to a life coaching event. But an unexpected delay at a St. Petersburg airport sends her on a 24 hour comedic spree, which may ultimately provide her with the key to her happiness.

In a love triangle there are always three participants: the torturer, the saviour and the victim, who change roles depending on the situation. There is no room to condemn anyone, there is no right and no guilt. A betrayal can happen with everyone. Margo admits to her husband George that she betrayed him with her student Anton. Her confession changes the life of three people. At first it seems that it is a usual story, but gradually it emerges that everything that happens to Margo has a deeper meaning. She begins to understand God, family, and love. She starts to realize how these values correspond with the eastern world, where she has grown up, and with the western world where she now lives.

On assignment from the editorial office a reporter from Yekaterinburg goes to a village lost in taiga, where he hears an ancient legend about the lord of the forest. Upon his return home all of a sudden he starts seeing and hearing the ancient spirit who begs him to save the endangered fantastic creatures. The reporter agrees and in the company of his 12-year-old daughter, who has come from Moscow to spend the vacation with him, he sets off for the lands virtually untouched by civilization. The trip filled with unexpected adventures, will bring the father and daughter closer together because it’s only together that they will be able to solve the mystery of the ancient legends from the past.

The protagonist is relentlessly hunted by a squad of black-suited mercenaries across buildings, rooftops, snowy mountains, and a decommissioned airplane, all while trying to recover a strange device. The short film went viral, racking up over 150 million views online, and inspired the 2015 full-length first-person action feature film, Hardcore Henry.

The picture tells about a difficult triangle of relations - the terminally ill woman Marie and the young couple Kira and Mark, who have lost their own child. Now they are ready to adopt Marie's five-year-old son. But the woman has a condition, she wants to make sure with her own eyes that the young family is ready for adoption. Kira and Mark are unaware of the price they will have to pay for this opportunity.

Aleksey must decide what's better for him - a regular life with his fiancé Alyona or adventurous life with a famous journalist Irina.

Ilya Naishuller's short for the Saatchi and Saatchi's 25x25 one-minute shorts collection.

Four friends have been together since first grade, however, adult life makes adjustments and now they see each other less and less. And that night, the friends decide to gather for their last barhopping...

1910, Paris. The destinies of the Russian poet Anna Akhmatova and Italian painter Amedeo Modigliani intertwine. Anna is married, Amedeo is a struggling artist, and when they meet their lives change forever. Anna goes back to Russia, and Amedeo sends her a letter begging for her to return. Meanwhile, Anna’s husband, the ambitious poet Nikolai Gumilev abandons her to go on a long trip to Africa to find inspiration. Anna takes the chance to go back to Paris, where she will face an impossible choice between love and poetry...

Danya is a successful advertiser with delayed life syndrome. He tolerates the present for the sake of an ideal future, which he constantly dreams of: a solid income, a house in Italy and a pretty wife from social networks. He strives with all his might towards his goal, but life makes its own adjustments, or rather death. Postponing everything for later, Danya starts an old disease and suddenly falls into a coma. He finds himself in the waiting room of the afterlife, which suspiciously resembles the airport from his latest commercial. There are only two flights — to heaven or hell. However, the chance to return to the world of the living is not lost either. While whiling away the time at the local bar "Darling, I won't call you back", Danya rethinks her life and tries to fix everything.

The devil can be smart, charming, articulate, a philosopher, a critic, an ideologue, sarcastic, sarcastic, angry, and forgiving. Especially if it is played by Fyodor Bondarchuk. Or does he not play it?

1961. A remote village and a lonely house, where the young Marina lives. One morning she finds a strange metal sphere in the field: a pilot in an unusual orange overall and a white helmet has made an unsuccessful landing. For a few days Marina nurses the cosmonaut back to health. When the pilot regains consciousness, he understands that on the path of his confidential mission there is an obstacle: he is tested by a new feeling, unknown before the flight ...

An ordinary chocolate factory worker begins to hear the voices of extraterrestrial civilizations, and habitual tenor of her life starts changing rapidly.

Two people play out a story of love and desperation that's enacted through music in this drama from writer and director Ivan Vyrypaev. Sasha (Alexei Filimonov) is a man in his twenties who lives in the small town of Serpukhov and has fallen in love with a woman who is also named Sasha (Karolina Gruszka).

Abdul, a young driver from Central Asia, forgets all his previous problems, when a pregnant Lena jumps into his yellow taxi, with her waters about to burst. First, the young man must learn to answer to the name 'Misha' (Lena is used to it), and then - deliver the baby in extreme conditions, that is - an ordinary Moscow traffic jam. Participants in the congestion, including one foreigner and one pensioner, also have to take part in the operation. 'Good Day' is the directorial debut of singer and actress Dasha Charusha in the short romantic comedy genre.

Tree girl friends, which live differend but at same time same life styles.

Sometimes we make a request to the Universe, not even assuming that only two ministries answer all people's requests: The Ministry of All Good Things has kind—hearted and goofy people, but the Ministry of All Bad Things, as you can see, has super-efficient managers.

The documentary series tells about the history of the new Russian cinema in the context of events that changed Russia forever. The narrative is built in chronological order: from 1992, when the first film was released, where "Russia" was listed in the output data instead of "USSR", to the present. Directors, actors and producers will share their memories of the path in Russian cinema. Among them are Fyodor Bondarchuk, Gosha Kutsenko, Evgeny Tsyganov, Zhora Gooseberry, Pyotr Buslov, Elena Lyadova, Vladimir Khotinenko, Valeria Guy Germanika, Sergey Selyanov, Egor Konchalovsky and many others.