The Ministry of All Good Things

The monologue of a grown-up woman, whose husband is leaving her for his young mistress. The viewer does not know until the final frames whether the heroine is actually speaking with her husband or simply rehearsing a future conversation, in which she thanks her husband for the time together, assures him that his decision is the right one, confirms his honest choice of heart, and remembers the touching moments of their past, releasing her husband and promising to cope with loneliness. And only the unexpected finale uncovers for the viewer the woman's true desire in this moment.

Ksenia Rappoport’s shrill monologue about the horror of a beautiful woman growing old, which turns into a lyrical and light story about love.

Parable of men's promises and torments of conscience. The main character is time to finish with a drink. In the morning, a whistle suddenly appears on his neck, and an unknown girl in bed. And everything would be fine, but the wife will be any minute.

On New Year's Eve, Pavel mistakenly takes someone else's coat, in which he finds expensive jewelry. At home, he realizes that his daughter's letter to Santa Claus remains in the pocket of his lost coat. The father of the family, together with his wife, is trying to find out what exactly the girl wished for. But six-year-old Varya is afraid to talk about her dream, otherwise it won't come true. In order to preserve the child's faith in miracles, parents will have to find a letter that was lost in the vast city of Moscow, and at the same time return the found gift.

Konstantin Inozemtsev is a ladies' man and a popular writer in the past. He continues to live in a big way, getting more and more into debt. Fate presents Kostya with a chance to restart his career by heading a fading glossy magazine. In a month, he has to release the first issue of the magazine under a new name, bring back the sweetheart of his life and prove to everyone that he is still worth something.

Collection of satirical sketches, telling about the decent inhabitants of the Patriarchal Ponds and their obscene stories. The series includes touching, outrageous and full of love intimate stories that are not accepted to speak out loud.

Fourteen-year-old Sonya unexpectedly learns that her mother lied to her about her father's death for many years, and forbade him to communicate with her daughters. Unable to forgive such a betrayal, she runs away from home. Mother and older sister Sasha find Sonya at their old dacha, where no one has visited for many years. Three women are forced to finally talk through all the problems, grievances and fears that have been so carefully hushed up for years. This begins the long journey of restoring family ties.

One day in the life of Elena Ivanovna in St. Petersburg in search of a man, sex and, maybe, love.

Three sisters, Ira, Olya and Masha, have long dreamed of leaving Nizhny Novgorod for Moscow. Each sister has her own moving scenario, but they all secretly rely on the financial help of her mother, the owner of Tatiana's jewelry business. However, Tatiana has other plans for life: as a souvenir from her vacation, she brings a massage therapist 20 years younger than herself. And while the whole town is gossiping about a sudden romance, the daughters suspect that the new family member is an ordinary conman. They intend to open Tatiana's eyes to the truth, but does a woman who just wants to be happy need her?

General Khadyakov turns sixty. He decides to ditch Moscow for a day and celebrate his birthday in an authentic Russian village with an immersive countryside experience. Fishing, a jolly feast, a visit to the banya, and a farm-style spa - that's the plan, and all of his beloved friends are coming. But the party goes awry: the rich guests manage to turn the whole village against themselves, get into a nasty quarrel and lose all the food.

Anna Karenina in modern realities.

The second part of the film “About Love”. Moscow, summer 2016. A new lecture, a new lecturer with a new theme: “How to preserve love in the modern world” – and five new stories about love. The heroes still suffer, struggle for love, even more often get into absurd and ridiculous situations, and yet they trust in love even more.

Anna is a successful lawyer who does not hesitate to tell her longtime friend Larisa that she wants to choose a "husband for three months", since she has a complex project and needs a lightning rod and constant sex. Two ideal options reached the final of her selection: a young technocrat pedant and an aged businessman reveller. Both are successful, both are interesting, and both are passionate about her. However, suddenly She finds out that her life will sparkle with new and not the fact that bright colors. She's going to be a grandmother. The obtuse son returns from England with his Pakistani daughter-in-law. So now Anna chooses not a "husband for three months", but a grandfather for her granddaughter.

The musical film almanac will tell you what worries modern teenagers during adulthood: first love, jealousy, envy, first sexual experience, acceptance of their body and sexuality, separation from adults and attempts to prove their importance, loneliness. Each of the short dramas and melodramas in the project is inspired by a popular song.

During a spur-of-the-moment trip to St. Petersburg, chief financial officer Elena unexpectedly meets the man of her dreams – and then, equally unexpectedly, loses him again. She has nothing to go on, so she breaks out everything she's got to hunt him down: logical deduction, supernatural forces, her friends' help, a new guy she's met, a retreat, and much more. Since she was a little girl, Elena has always "taken life at a march," climbing the career ladder with frankly alarming determination, never letting herself get waylaid by romance or relationships. She's always been like that – right up until this weird, accidental, incredibly lucky meeting. In the new episodes, Elena gets back to hunting down the one that got away, using every aboveground (or underhand) method available to her. She rushes headlong into it, makes mistakes, falls down, but keeps going, making the difficult journey toward love and affection, and, most importantly, finding herself.

The loser Innocent wants to commit suicide by jumping from the roof. At the moment when he is almost taking a step, the main character appears on the roof. She convinces Innocent not to jump with a funny, daring, sometimes tough, but very logical and somewhat sincere conversation, because, among other things, he has not yet fulfilled his purpose…