Mario García González

A pilot is called back to his homeland, the Latin American republic of Arepa, by the rich islanders to participate in a complot to kill the dictator known as El León (The Lion).

Three interwoven stories where the characters experience deception, passion, love and rejection.

Two men escape from prison and one start a murder spree.

After spending some time with the Mennonite community in Chihuahua, Reynaldo Olmos goes back to Mexico City and establishes a ministry in the poorest of poor neighborhoods. Is he sincere, or is this a scam?

Librado, an unemployed man, lives in a crowded small house with numerous children and relatives, is beaten for stealing a car antenna. His godmother and her children try to settle in his place. She then is arrested at a supermarket for stealing, however, she offers herself and volunteers a friend of hers for sex to the policemen so she can be released. She is a maid of an employee who acts subservient to his boss, a mid-level government employee at once servile who delivers speeches on sexuality in educational texts and then discusses the matter with his brother, a corrupt inspector.

A gunfighter is appointed sheriff of a town that is terrorized by a gang of criminals.

When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.

She rejects him, but he's there for her, even after she gets married and then is abandoned by her babydaddy. Remake of Bajo El Cielo De Mexico (1958) (and also 1937?).