Yin Wang

Marriage Angle is a Hong Kong Mandarin-language feature film of the drama genre, written and directed by Wang Yin, produced by Shaw Brothers Studio, Liu Chi and Chow Sze-Ching were the cinematographers.

Forever Goodbye 自 君 別 後 (1955) aka Since You Went Away is a Hong Kong Mandarin-language drama film directed by Wang Yin, filmed in Australia and produced by Shaw Brothers Studio. It stars Sek Ying, Chao Lei, Yang Chi-Ching and Wu Chia-Hsiang. This is loosely based on John Luther Long's "Madame Butterfly".

Back Home Again is an ethical film that tells the story of two young intellectuals Feng Shibin and Zhou Wansen after their marriage to two country girls, Axiang and Lili

This was a HK musical produced by Nanyang Film Company and distributed by Shaw & Sons.

During a night when Mei Liang and his girlfriend, Sima Qiu-Hong are on the same stage during a play for the Dajiang Theater Company, they receive a visit from Qiu-Hong's former classmate, Xie Yu-Lan. Under Yu-Lan's insistence, Mei Liang decides to break up with Qiu-Hong.

Melodramatic film about a child prodigy.

Romantic melodrama set in contemporary Hong Kong, Japan and Laos. Hiroshi Tanaka (Takarada) is a Japanese journalist on assignment in Hong Kong who meets and falls in love with Wu Li Hung (Ming). He proposes to Wu Li but she rejects him because of her distaste for mixed marriages (her mother was Japanese but deserted her family and returned to Japan during WWII). Tanaka locates Wu Li’s mother and unsuccessfully tries to reunite them, but eventually Wu Li accepts his proposal. A joyous Tanaka flies off to Laos to finish an assignment but on the eve of his wedding he is killed there.

Wang Xinglian returns from her studies in Japan to visit her father in Hong Kong where she has an encounter with the young Japanese Hasegawa Toru. The two meet again and fall in love in Hokkaido when Wang and her best friend Sugimoto Kanako are going on a holiday. Urged by her friend Zhang Yingming to concentrate on her studies, Wang remains ambivalent about the relationship, and is even more upset to realise that Sugimoto is in love with her fellow countryman. Feigning an engagement with Zhang, Wang initiates a break-up with Hasegawa and finds work in Singapore after graduation. Hasegawa learns the real cause of the break-up from Sugimoto in Hong Kong. A frenzy search finally leads to a reunion and a proposal in Kuala Lumpur. However, their love is doomed by a twist of fate as Wang must leave to see her desperately ill father in Hong Kong while Hasegawa has to leave for America to pursue his career.

Adaptation of Chiung Yao's novel "Fire and Rain".

Adapted from one of China's most well-known fairy tales, the Goddess of Mount Hua falls in love with a young mortal scholar Liu Yanchang and gives birth to a baby son, Chenxiang. When Chenxiang grows up, he seeks to unravel the mystery surrounding his mother whom he has never met.

The third and final chapter of MP & GI's Toho Trilogy expands the geographical reach of the franchise, taking stars Lucilla You Min and Takarada Akira across the Pacific to Hawaii, where scenic travelogue passages add to the cross-cultural affair. Also expanded is the romantic entanglement, as the love birds find themselves embroiled in an intricate love pentagon! By then a rising star of Toho boasting multiple talents, Jimmy Lin was bestowed the unenviable task of playing one of the five, the Lucilla character's long-lost fiancé…

.A young middle-class upstart Lin Ching Yi reluctantly takes on the task as understudy for her sick father who's a dedicated teacher to a band of mischievous working-class 3rd graders that initially proved to be much more than she can handle. Yet it is the matronly bond that is formed with her little urchin flock and her gradual understanding of the their poverty-stricken home lives outside of the classroom that raises the stakes for her as a teacher. It doesn't hurt that her empathetic male colleague Kit Chang provides support for her dilemmas also provide her a prospect as love interest. With growing ties with her students and school, Lin finds herself accepting the challenge for education of her community with her own education of love.

Long unemployed and stone-broke, Shen Jiaguang is dealt a further blow when his wife Lu Xiaoyin has fallen seriously ill and their son Xiaoguang has to quit school.

Xin Shu (judge) is judging a murder case and the prisoner Jia Lan Fang is mentally crazy and can not respond. Xin asks for the doctor's opinion, but the doctor must first understand Fang's past before proceeding. Apparently Judge Xin Shu has loving feelings towards the prisoner Jia Lan Fang because of the enormous resemblance to an ex-girlfriend named Yu Xiaocui.

A middle-aged couple adopt a young girl.

Nightmare is a 1953 Hong Kong thriller film written and directed by Yin Wang. The film was produced by Runde Shaw for Shaw and Sons.

The life and story of Lin Zexu and the First Opium War.

A Shaw and Sons production about a couple who loves each other but end up marrying different people because of parental pressures.

The Crisis is a Hong Kong Action movie starring Sammo Hung in a child role

A young lady has taken the place of caring for her two younger brothers since the death of their mother. She is content with putting her life on hold whilst she cares for them until one day...

This is one of the rare gems in early Chinese musical films that still exists today. Nancy Chan plays a naïve young woman who can sing and dance. Under the arrangement of her stepfather, she becomes a star and indulges in the glitz and glamour of the entertainment world before getting married to a wealthy heir in Nanyang. Yet her husband is cruel and unfaithful, leading her to divorce and return to her parents in Shanghai. She is set for a comeback to the stage. Her young daughter suffers from a serious illness. A remake of the Bu Wanchang’s silent film The Light of Maternal Instinct (1933), this film takes cues from Hollywood musicals, resulting in an elegant and lively fusion of camera movement and musical numbers. The film also reflects the harsh reality of China in the 1930s and the pathos of popular literature by combining morals, entertainment and social commentary to show that changes in the idea of femininity is a symbol of progress.