The Pistol

Based on Romance of the Three Kingdoms, Diau Charn is a sublime retelling of a familiar tale with iconic actress Linda Lin Dai (Lam Doi) in the titular role of Diau Charn, one of the four storied beauties of ancient China.

It seems that Li Zhenfei was once an imperial concubine, who often found herself competing with her rival Madame Liu for the emperor's sole, undivided attention. When Li gives birth to the Emperor's child, the jealous Liu switches the boy with a cat and commands a servant named Kou Zhu to kill the baby. However, Kou Zhu ignores the order and gives the prince-to-be to the emperor's brother, a decision which eventually leads to the boy being adopted by the emperor himself! But as fate would have it, to go along with his new son, the emperor has a new wife as well - Madame Liu! As this strange new family unit is being constructed, poor Li Zhenfei has been confined to the forbidden palace, condemned to never see or speak to her son, the prince. But destiny reunites her with her son, but will this family reunion be a happy one? And will Madame Liu finally be punished for her treachery?

A Shaw and Sons production.

Movie queen Ivy Ling Po is ideally cast as a male scholar in this historical Huangmei Opera romance. It’s a tragic love story between the scholar and a local beauty (played by Fang Ying). He polishes mirrors as a pretext to get closer to his love, who signals her approval by tossing him a bunch of lichees. From that point on the course of true love proves operatically rocky, complete with murder and suicide.

A middle-aged couple adopt a young girl.

Old school weepy sword fighting epic with Melinda Chen Man Ling, Cathay's answer to Cheng Pei Pei.

Return Of The Phoenix is yet another masterpiece from prolific director Li Han-hsiang. An imperial minister Cheng Pu (Ching Miao) is faced with a quandary. He's getting old and his daughters are still not married. Elder daughter Shueh-yeh (Elizabeth Chuang) is so ugly no one wants her. Younger daughter Shueh-wu (Li Hsiang-chun) is beautiful but Mrs Cheng refuses to let her marry before her elder sister. The drama unfolds when Cheng decides to marry Shueh-wu off.

This is about the trials and tribulations of a man who keeps a mistress at the side while his jealous wife, hires a lowly employee, to spy on her husband's activities.

Early Shaw Brothers comedy

A young swordsman is tasked to lead a patriotic secret society to fight a traitorous general who conspired with the enemy to invade their country. In due course, he meets two pretty sisters from a rural tribe and is caught between the affections of the two girls...

A Huangmei opera produced by Shaw Brothers about a carp spirit who transforms into an identical copy of a beautiful woman to win the heart of a lonely male scholar.

The lovely Li Hsiang-chun stars as a poor beauty who is drugged, ravished, lied to, locked in a burning store room, left to drown, and chased by sword-wielding ruffians, among other things. Her only hope is her betrayer's new wife, played by the strong and sensual Ivy Ling Po. Dawn may come, but the questions is: will it be too late? Director/writer Kao Li shows both restraint and sadism in this historical melodramatic tearjerker.

Ling Bor plays Wen Fei E who is both an excellent academic as well as martial arts expert. Since her childhood days fond of dressing up as a boy, she becomes a village scholar sharing classes with Tu Zi Zheng (Chin Feng) and Wei Zhun Zhi (Ho Fan). When Fei E's innocent father is framed and sent to prison, she rushes to his rescue saving Jing Fu Quan (Kam Fie) who is in the hands of robbers along the way. Mistaking Fei E to be a noble hero, Fu Quan has no greater wish than to get married to her savior...

Yang buys a painting of fox fairy. When he faces the painting and calls "Qing Mei", a fox fairy will get out the painting and stay together with Yang. Yang's parents invite a Taoist to catch the fox, but a vampire appears to kill the Taoist's assistant and seduce Yang. The fox fairy fights the vampire to protect Yang.

A Shaw Brothers film from 1959