The Magic Lamp

Overseas student Qiao Jian-hua and his friend Bai Xue-Liao traveled together to the Typhoon Shelter and met a boat girl named Li Lan-lan. Hua hired Lan as a guide to learn about the life of boat people. The two became close, which aroused the jealousy of Man-man, a rich girl who had a crush on Hua.

To marry her fiance Dong Jifang, Wang Danlin and her father Zhuoran take the cruise home to Hong Kong. The daughter fails to see eye to eye with her father who covets after Dong's money for speculation. On the ship, she suffers intensive courtship from the Filipino Chinese Lin Yamang. Meanwhile, Dong is eager to match his old frame Bai Jin with the sailor Mai Qin, but Mai mistakes Danlin for Bai and falls in love with her, resulting in a morass of troubles. Finding out Dong's affair with Bai, Danlin calls off the wedding in anger. Dong responds by deciding to marry Jin. Their nuptials are saved with the timely intervention of Mai.

The Crisis is a Hong Kong Action movie starring Sammo Hung in a child role

Iron Bones, about a young lad that learns a secret Tai Chi type of style called the Wind Palm, where you can kill with chi blows. Sure, it's a little crazy, but the acting is a big cut above most martial arts movies and the sword fights are pretty good. And Sam the Seed shows up, sans wig, as a dirtbag Shaolin monk after the book. Han Ying Chieh, the big boss, is one of the thugs in the background.

The film was filmed for Chiang Kai-shek's re-election of the president. The history teacher introduced the origin of the Youth Festival to the students: Fujian Lin Juemin left his wife and went to Spike to engage in revolutionary work; Guangxi Wei Yiting took the uprising with the master Li Deshan, Sichuan Yu Peirun and Pei’s brothers fought in the righteousness, and a total of 72 martyrs uprising under the leadership of Huang Keqiang , determined to overthrow the full Qing

A gem in every sense of the word, Our Dream car features popular idols Ge Lan (Grace Chang) and Chang Yang as a couple of newlyweds who struggle hard to acquire the latest symbol of middle class affluence: a motor car, but only find themselves in alienating situations. Yi Wen's script is full of lively and humorous details, his direction affectionate, while the young stars are charming. The film also paints a picture of a bourgeois lifestyle that was yet to occur in the ex-colony. It has also been aptly compared to the genre of hollywood "bedroom" comedy made famous by Rock Hudson and Doris Day in the 1950s.

The film depicts how the young Yue Fei learned martial arts, got his mighty weapon, and romanced his wife. Later he entered the national contest of martial arts, and had to fight his way out of a legion of challengers.

Chen Liujin and Zhang Lihong have a chance encounter with Wang Shu and Li Rong during an outing to the beach. Chen admires Wang, but Wang has fallen for Zhang's charm; Zhang fancies Li, whose heart is set on Chen ironically. The two young men seek to approach their objects of affection on the pretext of inviting the dream date of each other to an outing in the country during which they are teased and made fun of by the two women. To wipe away the shame, Wang and Li plot to intoxicate the women, who pretend to be in a drunken stupor while calling for help from their uncle and father respectively. In front of the elders, Chen declares her love for Wang, and Zhang for Li. Hit with the realisation of the women's sentiments, the two men reciprocate their respective admirers with their well-deserved love.

Hong Kong horror / mystery.

Gu Lingxiu's dream of becoming an actress is opposed by her grandmother. Her father Zhongqi remains ambivalent. Years ago, Zhongqi was in love with a Peking opera diva Hua Yanhong, but the lovers were separated by the matriarch. Regretful of the mistake, the matriarch discards her prejudice and allows Lingxiu to pursue her career. She also urges Zhongqi to look for Hua.

FAIRY, GHOST, VIXEN (1965) consists of three fanciful tales that may be loosely classified as ghost stories, but they're presented and designed more along the lines of traditional fairy tales. They're beautifully staged and photographed and have a timeless quality about them with a moral at the end of each.

Tang Bohu is smitten by the stunning beauty of Qiuxiang, the maid of Grand Tutor Hua, during his visit to a monastery in Suzhou. Stalking the maid, Tang's affections are finally reciprocated with three charming smiles. To approach the fair maid, Tang seeks work in the Grand Tutor residence as a study companion, and his talents win Hua's attention. As a frustrated suitor, he turns to his resourceful friend Zhu Zhishan for help.

The film traces the relationships that develop between the protagonist Xu and the three women he meets, set against the backdrop of the Second World War.

A Mandarin adaption of Camille directed by Chang Shan-Kun and Evan Yang.

When a murder occurs in a nightclub, dancers Pak Lai Hung and Lam Yin Fei meet the murderer and run into a college to hide. The next day, they perform on the beach in place of female students Zhu Man Zhen and Liang Mei Fang, but they are expelled by the police because they are not licensed to perform. The next day, they perform on the beach in place of female students Chu Man-chun and Leung Mei-fong. On the night of the charity show, Hung and Fei are watching the performance on stage, but the murderer follows them, fortunately, Fang finds him and calls the teachers and students and the police to arrest him.

Horror / vampire movie involving a haunted house.