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All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.

The historic, original, live airing of what would become an annual Christmas tradition throughout the 1950s, this opera tells the story of Amahl, a crippled shepherd boy, and his destitute mother, who provide temporary shelter to three men who are following a star to the newly-born Christ child.

One night in Judea, a disabled shepherd boy-turned-beggar and his mother are visited by three strangers. They are the Three Kings, and they are on their way to Bethlehem to visit the Christ Child, who has just been born.

Monitor was a BBC arts programme that was launched on 2 February 1958 and ran until 1965. Huw Wheldon was the first editor from 1958 to 1965. He was also the principal interviewer and anchor. Wheldon set about moulding a team of talents, including John Schlesinger, Ken Russell, Patrick Garland, David Jones, Humphrey Burton, John Berger, Peter Newington, Melvyn Bragg, Nancy Thomas and Alan Tyrer. Monitor ranged in subject over all the arts. Wheldon's Monitor lasted until he had "interviewed everyone I am interested in interviewing", and he was succeeded by Jonathan Miller for the series' last season.

One night in Judea, a disabled shepherd boy-turned-beggar and his mother are visited by three strangers. They are the Three Kings, and they are on their way to Bethlehem to visit the Christ Child, who has just been born.

Madame Flora is terrified when she perceives a supernatural presence during one of her fraudulent séances...

With the help of her daughter and a mute servant, phony psychic Madame Flora uses her clients' grief to deceive them. But one night, an uncanny encounter leads to murder and madness. Croatian National Theatre Zagreb’s production of The Medium offers enough suspense to rival any thriller in just one hour. Gian Carlo Menotti's musically eclectic English-language opera mixes Italian verismo with musical-like American modernity, as one might expect from a thoroughly American-Italian composer and man of theatre.

A witty, modern digital adaptation of Gian Carlo Menotti’s 1947 one-act romantic comedy opera, relocated from its original Manhattan setting to the bar of the King’s Theatre in Edinburgh. Earnestly lovable Ben attempts to propose marriage to Lucy before catching a train at Waverley Station, but his stuttering efforts are constantly frustrated by her complete obsession with her mobile phone. Commissioned by the Edinburgh International Festival for the 'My Light Shines On' lockdown project.

Aided by her daughter (Shauna Farrell) and a mute servant boy (Stelio Calagas), phony medium Madame Flora (Maureen Forrester) swindles her unsuspecting clients using simple parlor tricks -- until a supernatural force reaches out and grabs her by the throat. An eerie ambiance permeates this 1977 televised production (staged at the Comus Music Theatre in Toronto) of composer Gian Carlo Menotti's first major opera.

Made during the time Eduardo Coutinho was studying cinema at the Institut des Hautes Études Cinématographiques (Idhec), in the French capital, the fictional short film shows a man (Elie Presman) who tries to make a marriage proposal, but is constantly interrupted by calls phone calls that his girlfriend (Irene Chabrier) insists on answering.