Akekarat Homlaor

Sao, a talented cook, accidentally meets the man who took advantage of her in the past. She sets her revenge plan in motion using her cooking skill to achieve a rather unexpected result.

Suffering from acute kidney failure, Boonmee has chosen to spend his final days surrounded by his loved ones in the countryside. Surprisingly, the ghost of his deceased wife appears to care for him, and his long lost son returns home in a non-human form. Contemplating the reasons for his illness, Boonmee treks through the jungle with his family to a mysterious hilltop cave—the birthplace of his first life.

The passionate relationship between two men with unusual consequences. The film is divided in two parts. The first half charts the modest attraction between two men in the sunny, relaxing countryside and the second half charts the confusion and terror of an unknown menace lurking deep within the jungle shadows.

A nostalgic, coming-of-age story of identical twin sisters who share every aspect of their lives with one another, until one day a boy walks into their lives and puts their strong bond to the test.

In a hospital, ten soldiers are being treated for a mysterious sleeping sickness. In a story in which dreams can be experienced by others, and in which goddesses can sit casually with mortals, a nurse learns the reason why the patients will never be cured, and forms a telepathic bond with one of them.

In Thailand, an illegal immigrant from Myanmar with a mysterious skin rash, his girlfriend, and her friend visit the doctor's before spending the afternoon on individual and collective adventures.

A story about director Apichatpong Weerasethakul’s parents who were both doctors, and his memories of growing up in a hospital environment.

A recreation of an event to commemorate the presence of the dead and the decayed memories of the living, of filmmaking

A collection of short films by five Thai directors imagining their country ten years into the future.

Lianqing and Guo, who hail from Burma, flee their country and seek refuge in Thailand. Gho's feelings for Lianqing may just surpass her feelings for him.

Amidst the post-economic crash, a man must return from abroad after his father committed suicide. After return home, he must confront his past and struggle to hold on to his present.

A gang of local thugs come in and start roughing up the customers and get abusive with the daughter. Suddenly, an elaborately coifed and tastefully dressed woman shows up and rescues the young woman and her father from further harm. This is Iron Pussy.

Kati, a nine-year-old girl whose mother is suffering from an incurable illness. She must go through steps of happiness and sorrow, bonding and separation, having her hopes fulfilled and losing something she loves.

One of three films commissioned by the Jeonju International Film Festival in 2005. A couple escaped their family to look for a spiritual tree in the jungle. There is a song at night, a song that spoke about an innocent idea of love and a quest for happiness. Worldly Desires is an experimental project where I invited a filmmaker friend, Pimpaka Towira, to shoot the love story by day and the song by night. The story, Deep Red Bloody Night, was written by my assistant who wanted to reprise a forbidden love story in a more romantic time in the past. I picked a pop song, Will I be Lucky? to convey a sense of guiltless freedom one feels when being hit by love. The video is a little simulation of manners, dedicated to the memories of filmmaking in the jungle during the year 2001-2005. -Apichatpong Weerasethakul

Four young travelers embark on a trip to Kanchanaburi to see the museum, but pass the time in other ways when they find out it's closed for refurbishment.

A filmmaker captures images that characterize the violence and repression as well as the hope of rebirth and remembrance in northeastern Thailand.

One of the ingrained rituals in Thai society is the blessing automatically given before certain ceremonies and events such as the playing of the Royal Anthem in movie theaters before feature presentations. This short presents a "Cinema Anthem" which comically praises and blesses the feature to come.

Like Kamanita, the unchanged Morakot is a star burdened with (or fueled by) memories. Apichatpong collaborated with his three regular actors, who recounted their dreams, hometown life, bad moments, and love poems, to re-supply the hotel with new memories.