Ten Years Thailand

Five shorts reveal a fictional Hong Kong in 2025, depicting a dystopian city where residents and activists face crackdowns under iron-fisted rule.

Five short stories from five different directors set ten years in Japan's future.

What will our lives be like 10 years from now? Five up and coming Taiwanese directors each offer their own take in answering this question. In 2028, Taiwan is suffering from nuclear waste (“The Can of Anido”), migrant workers (“942”), industrial collapse (“Way Home”), low birth rates and diversity in families (“A Making-Of”), and insomnia (“The Sleep”).

Ten Years Myanmar, an omnibus film depicting a dystopian future 10 years later, tells five stories by five directors.

An adaptation of Sri Burapha (Kulap Saipradit)'s 1937 influential Thai novel, Behind the Painting. Forget Me Not is an attempt to reread the novel and also reread Thai political history at the same time.

Ang, a transgender sex worker with a pretty, feminine voice is assigned a special mission as an undercover spy. She disguises herself as a cisgender man to enter into a romantic relationship with Jit, a belligerent yet idealistic student activist with an evil voice.

In 2013, the director was hired to produce a short film on the causes and treatment of osteoarthritis among the elderly, yet the award-winning film was soon embroiled in an unexpected copyright controversy with the commissioning organisation. This self-reflexive documentary questions not only the notions of artistic reproduction and intellectual property rights in the digital age, but also the 'ownership' of democracy in Thailand.

The anthem “The Internationale” has been celebrated by communists, socialists, anarchists and democratic socialists. This anthem was adapted to rock music by Chinese band, Tang Dynasty, in 1992. Chulayarnnon Siriphol created this music video when he was an artist in residence at Organhaus Art Space, Chongqing, China in July 2018.

ANGSUMALIN 48 is the full name of ANG48, which stands for the fictional organization Alliance of Nippon Girls 48. The film is a synthesis of archival materials from Asian film history, from different countries. The result is an intelligent operating system of 48 digits, born into a half-human, half-golden-snail figure. ANGSUMALIN 48 can dissolve and become invisible to human eyes in order to penetrate through the air as a secret cultural agent. ANGSUMALIN 48 women have the role of building connections, spreading good relations, and providing support for the alliance of Asian women in different countries to rise up and release their past pain—from WWII to the Cold War to today. The name of this operating system is chosen to commemorate and give honor to Angsumalin, a fictional character from the Thai novel Khu Kam (1969) by Thommayanti, and an emblem of honesty, loyalty, and love for the homeland.

Banned at the Thailand Biennale Krabi 2018, this film is based on the history of Khao Kha Nab Nam, Krabi. Filled with fantasy and historical facts, it treads the line between fiction and folklore.

n 2013, Chulayarnnon Siriphol was hired to produce an educational short film about osteoarthritis titled A Cock Kills A Child By Pecking On The Mouth Of An Earthen Jar. It was agreed verbally that Siriphol could submit this work to any open call competitions under his own name. However, after winning the Vichitmatra Award from the 17th Thai Short Film and Video Festival, he was accused of violating the film copyright and obliged to give the award certificate to the hired organization. After returning the award certificate, he later gave away 100 copies of the certificate to anyone for free, re-rendered the work multiple times deteriorating video, and distributed it as an edition of 100 artwork, selling each DVD for 100 Baht.

The ideal world of perfect goodness is a spiritual refuge for people nowadays. Unsurprisingly, some sects, new religions and politic group are growing.

VHS (Video Home System) used to be the most widely used recording and viewing device, although today VHS can be considered a dead medium because of the new and higher quality media, it is still different from the media of later generations with low noise waves and low definition quality. Therefore, the animation obtained from VHS is like a projection of the distant past that reflects the development of motion pictures in the pre-1970s. 2000 But with the development of technology, animation has changed rapidly. Techno was born.