Kin no tamago: Golden Girl

Romantic melodrama set in contemporary Hong Kong, Japan and Laos. Hiroshi Tanaka (Takarada) is a Japanese journalist on assignment in Hong Kong who meets and falls in love with Wu Li Hung (Ming). He proposes to Wu Li but she rejects him because of her distaste for mixed marriages (her mother was Japanese but deserted her family and returned to Japan during WWII). Tanaka locates Wu Li’s mother and unsuccessfully tries to reunite them, but eventually Wu Li accepts his proposal. A joyous Tanaka flies off to Laos to finish an assignment but on the eve of his wedding he is killed there.

Young Setsuko Fujino begins a new job at Tokyo Chemical Company. She likes her boss, Ippei Hitachi, and enjoys serving him tea, despite the fact that her fellow workers think the women employees should not have to act in such a servile manner. When the women go on strike over the issue, Setsuko finds herself caught in the middle. When the heir to the company, Ryosuke Tanabe, proposes marriage to Setsuko, she is honored, but realizes that her real affection is for Hitachi.

A kind of modern dress "Donzoko" "The Lower Depths", about slum life in Osaka, where a greedy widow (Mimasu) takes advantage of her poor roomers, including her own son, who makes a meagre living stripping taxicabs.

Michiko Asakura was married to the eldest son of the Sakuma family, an unsealed family in Shinshu, but died from her husband and returned to her parents' house in Tokyo with her five-year-old daughter Yoshiko.

Four sisters are all named after flowers. While the two youngest are married, the eldest two remain single, much to the annoyance of their long-suffering mother. The mother and her brother try various schemes to find husbands for them.

The executive director of the «Chuo Shoji» company, Hidaka Shiro, is called a "demon of work", but the hostess of the bar calls him "the loneliest person in Japan." He lost his wife ten years ago and has been living as a widower ever since. He plotted to marry off his 22-year-old daughter Keiko for political gain, but Keiko is in love with Okuda, who is her father's subordinate. A story full of sadness and joy, depicting a man gripped by different thoughts, as an employee of the company and a father.

A young country boy leaves his village for Tokyo, where he begins to work as a stock trader. First part (of four) of the film adaptation of Bunroku Shishi's novel, Oban.

Ushinosuke returns broke to his hometown, where everyone believes he's rich and successful. Part two (of four) of the film adaptation of Bunroku Shishi's novel, Oban.

Wang Xinglian returns from her studies in Japan to visit her father in Hong Kong where she has an encounter with the young Japanese Hasegawa Toru. The two meet again and fall in love in Hokkaido when Wang and her best friend Sugimoto Kanako are going on a holiday. Urged by her friend Zhang Yingming to concentrate on her studies, Wang remains ambivalent about the relationship, and is even more upset to realise that Sugimoto is in love with her fellow countryman. Feigning an engagement with Zhang, Wang initiates a break-up with Hasegawa and finds work in Singapore after graduation. Hasegawa learns the real cause of the break-up from Sugimoto in Hong Kong. A frenzy search finally leads to a reunion and a proposal in Kuala Lumpur. However, their love is doomed by a twist of fate as Wang must leave to see her desperately ill father in Hong Kong while Hasegawa has to leave for America to pursue his career.

Following the Second World War, the lives of various people in a poverty-stricken area of Tokyo are entertwined. Pachinko parlor girls, shoeshine boys, a maker of costume jewelry, and a streetcorner artist all struggle to make their livings and to find happiness in difficult surroundings.

A story depicting the challenges faced by today's youth in working to build a better tomorrow, based on the theme of Toshiba's progress as one of Japan's leading manufacturers of electronic and electric goods.

1958 Japanese movie

Ushinosuke returns to his hometown to become a farmer. Part three (of four) of the film adaptation of Bunroku Shishi’s novel, Oban.

A woman struggles to raise her young son on her own in postwar Japan, finding companionship with a kind laborer while still hoping for the return of her missing husband.