Jayamala

It is a crime movie directed by V. Somasekhar.

The plot follows a psychotic killer who escapes from prison to murder his wife.

A curse placed on a family who come to live in a new house by the sea.

When a man helps out a stabbed victim, his family gets targeted by the unknown assailant. Thereafter, the man tries to find the mysterious murderer with a police officer's help.

Muniyana Madari is a 1981 Indian Kannada-language film.

A police officer is distraught on learning about his brother's involvement in a robbery case. However, things take a turn when he decides to arrest him.

1983 Kannada film directed by S.A. Chandrashekar

Onti Dhwani is a 1984 Kannada drama film directed by T.S. Nagabharana. The film is based on a novel by Sujatha.

Oridathoru Phayalvaan is a 1981 Malayalam film written, edited and directed by P. Padmarajan. The film is a folk parable about the success and failure in the life of a wrestler. Having an unusual and different plot, the movie was critically acclaimed. It stars Rashid, Nedumudi Venu and Jayanthi in the lead roles. It won the award for Best Script at the Kuala Lumpur International Film Festival, and a Gold Medal at the Asian Film Festival.

Thieves Raja and Ravi hatch a plan to steal an exquisite diamond necklace from Usha. In a turn of events, Raja falls in love with Usha.

Ramkumar and Shruthi who make lot of oaths for the betterment of their children (Master Ramprasad and Kumari Arpitha) and once the children become a pair of very talented singers, they forget everything about their promises. It is only when the kids suffer through a crucial illness that they are reminded of their oaths and the couple set out on a pilgrimage along with their children to all the nine goddesses – Kollur Mookambike, Badami Banashankeri, Mysore Chamundeswari, Belgaum Yallamma, Horanadu Annapurneshwari, Katilu Durgaparameshwari, Annamma Devi of Bangalore, Shringeri Sharadambe, Gokarna Parameshwari. There are also villains in the film in the form of the other family members who are bent upon killing the children.

Lalithamma, a pious and compassionate woman, opposes the atrocities of Rayudu, so he attempts to destroy Lalithamma's life.

When an arrogant young woman frames a poor canteen owner and gets him arrested, he decides to teach her a lesson.

Geetha, a young woman who lives with a strange illness, confesses her love for Sanjay after his concert. However, things turn towards an unexpected direction when he fails to recognise her.

Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.

A neighbour envies the love shared between a joint family. Unable to see them happy, the person devises a conspiracy to create a rift in the family.

Avinash, a young man, is troubled by the memories of his past life and decides to investigate the truth behind it.

The heir to a huge estate has a cognitive disability and only has the support of a kind aunt. Meanwhile, his greedy relatives plot his murder.

Friends Vishnu and Shankar, who are fascinated by the same girl, try to outsmart each other. They turn rivals when Shankar brands Vishnu with theft and sends him to jail.

The plot of this movie is centered on two families. The first family is Gangavva, her son Kitty and Gangavva's Raghappa. Another is Desai's family. It was a family that supported the widowed Gangavli. The story moves forward by digging up old memories. Story: Dr. Shankar Mokashi Punekar (Based on Novel of Same Name) Karnataka State Film Awards 1994-95 First Best Film Best Actor – Ananthnag Best Story Writer – Dr Shankara Mokashi Punekar Best Art Director – Ramesh Desai, Nanjundaswamy

The story of a Brahmin family during the pre independence and post independence periods of India. Based on the novel of same name written by Ranganath Shyamrao Lokapura.

After a truck driver kills a farmer while driving in an inebriated state, the court orders him to look after the farmer's family. Soon, the driver realises that his punishment is worse than prison.

A drama film directed by Jawahar and P Vadiraj, starring Jayamala Omaiah in the lead role.