Vitor Graize

Ramon Alvarado is one of the most important figures of the 60s Amateur Cinema Cycle in Espírito Santo. Not only was Alvarado a prolific director of short films throughout his life, but he was also involved as the director of photography on many other important Espírito Santo film productions. Director and editor Vitor Graize brings forth archival images to add deeper layers of meaning to Alvarado’s recollections.

Creating a national park in the Brazilian state of Piauí dedicated to the preservation of what are apparently the first traces of human activity in the Americas has been archeologist Niède Guidon’s life work. SERTÃO, AMÉRICA is a contemporary take on a mythical territory of Brazilian cinema, once the cinematic realm of Glauber Rocha and other giants. The film pays a brief visit to the region, which is rendered in appropriately fragile analogue textures and deteriorated colours, as small fragments of the biographies of those who used to live there hover over the animal noises of the delicately crafted soundscape.

A documentary about the creative process of Arrigo Barnabé

André, a teenager, lives in an industrial town in Brazil near an old aluminum factory. One day, a factory worker, Cristiano, suffers an accident. Asked to go to Cristiano’s house to pick up clothes and documents, André stumbles on a notebook, and it’s here that Araby begins — or, rather, transforms. As André reads from the journal entries, we are plunged into Cristiano’s life, into stories of his wanderings, adventures, and loves.

Solange wants her stuff back. She moved out of town five years ago and now returns to retrieve her belongings, which she left in boxes at friends' homes.

"For one human being to love another: that is perhaps the most difficult of all our tasks, the ultimate, the last test and proof, the work for which all other work is but preparation." Rainer Maria Rilke.

A film like a monument: Luz nos Trópicos is a tribute to the rich greens of the Amazon and the forests of New England in winter, celebrating the indigenous peoples of continental America and flowing as a film as freely as a winding river.

After a tough day at work, Alberto just wants to go home and show his wife his new tattoo: "Célia everlasting love", but his sister unexpectedly arrives and needs a place to stay.