Deddy Mizwar

Umar Bakri, a respected high school teacher, faces public outrage after a video of him slapping a student goes viral. Despite pressure to explain, he remains silent to protect a secret that could ruin his students' futures. A touching drama about sacrifice, morality, and a teacher’s unwavering dedication.

Raden Mas Said, the first son of Tumenggung Wilarikta, who rules Tuban, a district in the powerful kingdom of Majapahit, sees a poor family who suffers from hunger. He tries to take some food out secretly. His parents disapprove, and as punishment, he is locked inside the food storage. Since the incident, R.M. Said, does not feel comfortable at home. So he travels from one place to another and witnesses many cases of fraud and injustice. The Tumenggung is often blamed to cover up their crimes. Listening to his son's report, his father realises the real situation. Then he meets Sunan Bonang, who teaches his knowledge to R.M. Said. They meditate together on a riverbank. Due to his dedication, R.M. Said gets a "Nur" (enlightenment) from God. Shortly after, he is appointed as a Wali (a dated term for Islamic leader), and becomes the famous one amongst the Nine Great Wali (Wali Sanga). He is known as Sunan Kalijaga.

The film tells the story of a middle-class young man named Dendy who is rich and lives in a big house with a driver and a loyal servant.

After graduating high school, Sorta followed Amang Bukit's orders to become a farmer and not pursue higher education. She meets Daulat, the estranged son of Inang Ria, and falls in love.

Three freshly graduated adults try to educate young beggars to become street vendors, but are opposed by their fathers.

The story begins with a commotion in court during the trial session of a wild girl who was involved with pornographic photos when a former nurse appeared to reveal that the girl was the daughter of a famous tycoon in Jakarta. Meanwhile, the rich man's daughter who had just gotten married was the biological child of the wild girl's mother, who was a prostitute. The two were exchanged when their newborns were in the hospital.

Nurul was a loving mother who supported the family, supporting the household through hard work and prayer, and managing the warm and welcoming Empal Gentong Stall. Her passing shook the family, the stall fell silent, Qomar was trapped in loneliness, and her two sons only just realized the importance of a mother's presence. Without Nurul, family harmony crumbled, and the once-bright home lost its direction and hope.

Tegar, a person with a disability. Having only one leg and no arms, Tegar doesn't get enough love from his parents. Tegar's father left him and his mother was busy working. The only person who loves Tegar with all his heart is Grandpa. Once upon a time when Tegar was forced to live a life outside of himself, Mother had to work in the city and her nurse had to leave her.

At the age of 22 years of marriage, Mutia was attacked by liver cancer. This difficulty did not change the attitude of her husband, Affan.

Nagabonar is a pickpocket. During the withdrawal of the Japanese occupying forces from Indonesia in 1945 he declares himself a general of the Liberation Forces. Soon a mask becomes his true self, and he becomes a true soldier and patriot.

Jamal and Kamil sell clothes on a street corner in Jakarta. The police often chase them. Over time, Jamal becomes angry and intends to change his luck by talking big and “selling” himself. He dresses up to look and act like a rich man, but tastelessly.

Nurhayati’s husband dies in an accident and she is left with four small children. Nur herself knows that she will not live long, as her doctor reveals that she must undergo a heart and lung transplant, with a little chance of survival. After telling the real situation to her father and to her eldest child, Asih, the children are brought to the families she considers as able to raise them. How lucky she is that the three families are eager to accept her children. On a birthday party of her youngest child, she feels at ease and dies.

It tells the story of Ramadhan and Monita, two people with opposite personalities who become entangled in a push-and-pull romance, presented with clever humor and social satire.

A caricature sketch of life in a modest flats.

This time Lupus is played by the author Hilman himself. Still depicting the world of teenagers at school, home and also his relationship with Poppy (Ita Purnamasari). Everything is cheerful, a little wild but still under control. Lupus himself is not clear what he is doing, except busy taking care of his chickens. Suddenly near the end of the film, Lupus is good at giving speeches about many things including democracy and social justice.

In this sequel, Anita and her husband, Rio, are offered to act in a film. Kadir, their housekeeper, wants to join in. Their neighbour, Tati, and her housekeeper, Doyok, also want to join in. Rio, Anita, and Kadir pass the selection, after deceiving Tati and Doyok. Then a misunderstanding happens. Rio, Anita, and Kadir are misconstrued as having a fight when they are actually rehearsing a scene. Meanwhile Tati, who often uses the phone at Rio’s house to contact the director, is suspected of having an affair, leading to more comedy of errors. It seems to be an intention to criticize the film industry.

The people of Pandanwangi village are upset at news that their land will be appropriated by a large conglomerate. Conflict over the land emerges and escalates between the villagers and representatives of the conglomerate. The villagers have come to view the situation as more of a matter of morality than of land ownership after finding out that a bar and billiards center will be built there. The head of the village’s Islamic boarding school, H. Murad, who is assisted by H. Rhoma, attempts to influence the villagers to refuse to sell their land. Eventually, the charismatic religious leader KH Zainuddin MZ succeeds in mediating the conflict, and even influences the conglomerate owner, Bustomi (WD. Mochtar), to rethink his plans. The land conflict theme of this film is interesting in that it reflects the social issues arising out of the rapid pace of development of the time. This may be Rhoma Irama’s best film, even though it was not very popular.

Agus leaves his wife and the three children. After many years, Agus wants to return but he has to apologise to his wife and children, namely Anwar, Dani and Aini. But Anwar, the oldest son, who has been supporting his family all these years, rejects him.

Even though he is not a "left wing" student, Nurhadi, nicknamed Hadi, insists on becoming a volunteer in the fight against Malaysia. Wati, his lover, tries to stop him, but fails. She pretends to be pregnant so that Hadi marries her. But Hadi still goes to Malaysia. Hadi’s group is detected by a Malaysian patrol, when they are about to land in Malaysia, which leads to a firefight. Everyone dies except Hadi, who is found unconscious by Latifah at the beach. Hadi is taken care of by Latifah and his father, Somad. He claims that he is a fisherman who has been stranded and is named Mohamad Noor. The confrontation between Indonesia and Malaysia then ends. Wati still believes that her husband is alive and goes to Malaysia to find him. She finds Hadi already married to a pregnant Latifah. Wati goes home in disappointment.

This story begins with Yana (Nia Harun), who has been forbidden to go camping by her father, Hendra (Eeng Saptahadi). However, Hendra gives in when he sees Yana painting a picture of her mother Laksmi (Eva Arnaz), whom Hendra has never spoken of to Yana. It turns out that Yana had gotten the photo from the family servant. At the camp, Yana meets Yani (Ade Harun), who turns out to be her twin. The two girls then switch identities because they both long to meet the parent they have been separated from. They also hope to find a way to reunite their mother and father, whom they believe still love each other, but split up because Laksmi could not endure the interference of in-laws

Darma (Deddy Mizwar), the owner of several companies, suddenly appoints his horse trainer, Ucha (Cok Simbara), as director of one of his businesses that was previously managed by old friends of Darma from the revolutionary period. Ucha attempts to revamps the company as expected, but his efforts are all undermined by Darma’s old friends. Ucha also runs into trouble at home, when his chubby wife lets his new position as director and her status as wife of the director go to her head. She is insistent that she needs a makeover and that their house needs upgrading in line with their new social status. As these various conflicts reach a head, Ucha finally confronts Darma with the reality of his friends’ betrayal, and threatens to quit. Darma understands the situation, but cannot bring himself to fire his old friends.

The Kahuripan Kingdom is facing a crisis due to the loss of a sacred heirloom and the threat of attacks from one of its regencies. This situation provides background for the story of Pujo (Dede Yusuf) and his wife, Kartikasari (Fitria Anwar), who are shown at the beginning of the film in a mysterious invisible cave where they discover the secret of the green pearl amulet. Their enemies are Wisangjiwo (Baron Hermanto), who has long been attracted to Kartikasari, whom he eventually rapes while she is meditating in the nude, and Joko Wanengpati (Gito Gilas). This story primarily features fight scenes among the main characters.

Bonaga and Monita are a husband and wife who are enjoying their period of success. This time, they have to face the educational problems of their only daughter, Monaga, who was expelled from her school. The grandfather, the Dragon finally got involved in the problem of the grandson to get a new school. In the midst of educational problems for Monaga, Monaga's meeting with a street child named Nira became a special spirit for Monaga to go to school. There are various obstacles and conflicting opinions on the sustainability of Monaga education. Naga's excessive love for his grandson makes matters even more complicated, causing Bonaga to be squeezed between the wishes of his wife, children, and father.