Naga Naga Naga

Nagabonar is a pickpocket. During the withdrawal of the Japanese occupying forces from Indonesia in 1945 he declares himself a general of the Liberation Forces. Soon a mask becomes his true self, and he becomes a true soldier and patriot.

In this sequel to Nagabonar (1986), the now old Nagabonar was asked to live with Bonaga, his foreign educated son, for a while in Jakarta. This was an effort by Bonaga to ask Nagabonar's permission to turn the family palm plantation into a resort. This outraged Nagabonar since the family cemetery was in the plantation. Distraught, he left his son's house and got himself lost in Jakarta.

This time Lupus is played by the author Hilman himself. Still depicting the world of teenagers at school, home and also his relationship with Poppy (Ita Purnamasari). Everything is cheerful, a little wild but still under control. Lupus himself is not clear what he is doing, except busy taking care of his chickens. Suddenly near the end of the film, Lupus is good at giving speeches about many things including democracy and social justice.

It tells the story of Ramadhan and Monita, two people with opposite personalities who become entangled in a push-and-pull romance, presented with clever humor and social satire.

Three freshly graduated adults try to educate young beggars to become street vendors, but are opposed by their fathers.

Nagabonar is a pickpocket. During the withdrawal of the Japanese occupying forces from Indonesia in 1945 he declares himself a general of the Liberation Forces. Soon a mask becomes his true self, and he becomes a true soldier and patriot.

Umar Bakri, a respected high school teacher, faces public outrage after a video of him slapping a student goes viral. Despite pressure to explain, he remains silent to protect a secret that could ruin his students' futures. A touching drama about sacrifice, morality, and a teacher’s unwavering dedication.

An ordinary brewery worker, strictly forbidden from dating by his grandfather, navigates a series of failed romantic pursuits within a chaotic, colorful flat-complex—only to find true love right next door after an escaped fugitive turns his neighborhood upside down.

Raden Mas Said, the first son of Tumenggung Wilarikta, who rules Tuban, a district in the powerful kingdom of Majapahit, sees a poor family who suffers from hunger. He tries to take some food out secretly. His parents disapprove, and as punishment, he is locked inside the food storage. Since the incident, R.M. Said, does not feel comfortable at home. So he travels from one place to another and witnesses many cases of fraud and injustice. The Tumenggung is often blamed to cover up their crimes. Listening to his son's report, his father realises the real situation. Then he meets Sunan Bonang, who teaches his knowledge to R.M. Said. They meditate together on a riverbank. Due to his dedication, R.M. Said gets a "Nur" (enlightenment) from God. Shortly after, he is appointed as a Wali (a dated term for Islamic leader), and becomes the famous one amongst the Nine Great Wali (Wali Sanga). He is known as Sunan Kalijaga.

After being stuck in an elevator together, a devout man constantly pesters a businesswoman who promised to live by faith if they made it out alive.

While chasing his dreams in Cairo, Azzam faces tough choices between love, family, and survival as heartbreak and setbacks threaten to break his spirit.

The Kahuripan Kingdom is facing a crisis due to the loss of a sacred heirloom and the threat of attacks from one of its regencies. This situation provides background for the story of Pujo (Dede Yusuf) and his wife, Kartikasari (Fitria Anwar), who are shown at the beginning of the film in a mysterious invisible cave where they discover the secret of the green pearl amulet. Their enemies are Wisangjiwo (Baron Hermanto), who has long been attracted to Kartikasari, whom he eventually rapes while she is meditating in the nude, and Joko Wanengpati (Gito Gilas). This story primarily features fight scenes among the main characters.

Khairul Azzam, an Indonesian student in Egypt, has to support his family in his home country while focusing on his education. He tries to seek refuge and strength in God to help him through it all.

Tegar, a person with a disability. Having only one leg and no arms, Tegar doesn't get enough love from his parents. Tegar's father left him and his mother was busy working. The only person who loves Tegar with all his heart is Grandpa. Once upon a time when Tegar was forced to live a life outside of himself, Mother had to work in the city and her nurse had to leave her.

A seminar about Men and Faithfulness, to discuss the result of Matra magazine’s survey, that concludes that two out of three men have affairs, becomes a hot topic. Doddy, a faithful husband, becomes a suspect. The office secretary, who adores him, suspects him. His wife, Atik, also suspects him because, when working out of town, she sees the behaviour of her male colleagues. Furthermore, Doddy has to work late because he has to accompany the company’s director during a business meeting with a Japanese company. In addition, he has to find a lady escort for his guest, and at one of the dinner parties, he is photographed being very close to Neni, the escort. Atik refuses to accept Doddy’s explanations so he has to find Neni’s pimp to prove his innocence. Instead, the escort agency’s bouncers beat him up. Finally, Atik believes him, especially when she finds that Neni is going to be married to the director.

The peaceful and widely admired marriage of Dr. Yanuar and Rani is suddenly shaken. Dubbed a model husband by his largely unfaithful medical colleagues, Yanuar is faced with two complicated situations almost simultaneously. First, Lia repeatedly begs him for an abortion, which he steadfastly refuses. Second, Patricia—the kept mistress of a powerful man named Primodarso—unexpectedly disrupts the exemplary doctor's routine life.

The story is about a mother named Puspa, who is willing to sacrifice everything for the happiness of her only child, Riana. With great patience, Puspa endures a life of suffering—putting up with hunger, pain, and various hardships—to ensure her child can grow up well. However, her sincere love is repaid with Riana’s ingratitude. Although she was often hurt, Puspa never stopped praying for her daughter until the very end of her life in the cardiac ICU. As she neared her final moments, a great secret regarding Puspa’s life-and-death struggle while carrying and raising Riana was finally revealed through Budhe Tun, Puspa’s older sister.