Jörundur Ragnarsson

Top volcanologist Anna Arnardóttir faces two disasters at once: a volcanic eruption that threatens the safety of the capital city and a love affair that could destroy her marriage.

Áramótaskaup: 2018 is an Icelandic TV movie satirizing the events of the past year.

In a secluded valley in Iceland, Gummi and Kiddi live side by side, tending to their sheep. Their ancestral sheep-stock is considered one of the country’s best and the two brothers are repeatedly awarded for their prized rams who carry an ancient lineage. Although they share the land and a way of life, Gummi and Kiddi have not spoken to each other in four decades. When a lethal disease suddenly infects Kiddi’s sheep, the entire valley comes under threat. The authorities decide to cull all the animals in the area to contain the outbreak. But Gummi and Kiddi don’t give up so easily – and each brother tries to stave off the disaster in his own fashion: Kiddi by using his rifle and Gummi by using his wits.

Halla declares a one-woman-war on the local aluminium industry. She is prepared to risk everything to protect the pristine Icelandic Highlands she loves… Until an orphan unexpectedly enters her life.

Áramótaskaup: 2016 is an annual Icelandic TV movie satirizing the events of the past year.

A young girl breaks up from her petit bourgeoisie home and her piano lessons to lead an entirely new life, as one of the personnel at an institution for juvenile delinquents in a remote part of Northern Iceland. It is the 1970s and the young people in charge of the place are heavily into flower power, sitar music and solving problems by frank talk sessions with the delinquents. However, the hippies, who themselves despise authority, soon find their own authority under attack by the rebellious youngsters, especially after the arrival of a mysterious young girl. Then a violent incident occurs that will have a decisively detrimental effect on relations at the institution.

A former sailor who has served prison sentences for alcohol smuggling fights to keep his family afloat. He is offered pay for a last tour of cargo between Reykjavik and Rotterdam. He agrees, in the hope to get out of debt, but unexpected events occur.

The film revolves around Hildur, a national celebrity and socialite who has to look for a job when her boyfriend Jolli is sent to prison. She finds a job at Astrópía, a store that sells role playing books and her immersion into geek culture changes her outlook on life.

Anna Hallgrimsdottir, a poetess, dish washer and marijuana dealer in her late thirties, lives in Reykjavik with her two sons, Krummi and Ulfur. Anna is tired of her lifestyle and the coldness of Iceland and wishes to show her sons more of the world. Finally she decides to do something about it, move on, and somewhat change her lifestyle. The first step in her revival is to sell her business which consists of her mobile telephone which includes her big list of clients. The sale is an unusual one and the potential buyer promises her the asking price within 48 hours. During those 48 hours Anna gets into all kinds of “Icelandic familial adventures” as her kitchen fills up with customers/friends, partying, while waiting for her to come Back Soon.

Centers on Georg Bjarnfreðarson, an over-educated know-it-all who has just been released from jail after a ten year sentence for manslaughter, but is still a prisoner of his own past.

Aron is trying his best to cope with life. In search of serenity, he imitates male stereotypes and dives into all the cliches of the material world. However, underneath all the perfect appearance, lies something tragic and unexpected.

The film deals with four men who rob a bank to pay tens of millions of debts one of them to Iceland's most dangerous man, Gulla's car dealership. To help Arnari out of the pinch, his three friends decide to help him rob robbery, gripped and armed. What could possibly go wrong?

Three men working at a petrol station in Reykjavik battle boredom, strange visitors and their own customers.

At a downtown café, three business colleagues are discussing a future investment opportunity when a seagull hits the cafe’s window right in front of them. Anna, one of the colleagues, tries to ignore the event but is unable to shake off the incidents.

Conquering insecurity is easier said than done. Icelanders Eva and Vidar find out the hard way, as they take their relationship to the next level.

Life has its way of being unpredictable. Small things have tendencies of becoming bigger then you expected. Some people don't see it until it's too late.

Sequel to The Night Shift.

A verbally abusive chef that would make Gordon Ramsey blush, initiates a young but skilled apprentice cook into the world of kitchen nightmares where both learn painful lessons about the value of resilience and respect.

Eva and Halldór’s mother has stopped speaking since falling ill. Eva has been taking care of her with the help of nurse Védís, but when Halldór visits, the household balance is disrupted with unforeseen consequences.

Einar, a charismatic history teacher is committed to a remote mental asylum in Iceland. During the bank holiday weekend he initiates an uprising that transforms into a proper revolution where the lunatics literally take over the asylum.

Set in 1992, Heimsendir is an isolated mental hospital on the outskirts of Reykjavík. The hospital, referred to as ‘World’s End’ is a last resort for many mental patients, many of whom consider it a home. Elementary school teacher, Einar, is committed against his will after a severe nervous breakdown and is critical about how things are run at the hospital and before long he has most of the patients on his side, rooting for change. Einar, along with the other patients, stages a revolution and takes over the hospital, declaring its a state within a state, a Utopia for the mentally ill.

A retired customs officer is forced to move with his wife to an assisted living facility. While his wife becomes liberated in the new surroundings he searches for a purpose in life and small things become major issues.

Næturvaktin revolves around the lives of three employees working at the Shell petrol station in Laugavegur, Reykjavík. The three man night shift is made up of eccentric supervisor Georg Bjarnfreðarson, a committed Marxist, vegan, who has an admiration for everything Swedish. Ólafur Ragnar, a regular employee and a simple, well-meaning guy who dreams of fame and wealth. And Daníel Sævarsson, who after dropping out of medical school joins the team. What the three men don't know is due to this job how profoundly their lives will be forever linked.

After the final events of Næturvaktin, Georg Bjarnfreðarson, Ólafur Ragnar and Daníel, find their paths crossing again when they find work at Hotel Bjarkarlundur in Icelands isolated Westfjords, owned and run by the formidable Gugga. Forced to work together again, it's not long before Georg begins plotting ways to control everyone.

Fangavaktin is the sequel to the Icelandic television series Dagvaktin and the final series in the trilogy. The three main characters from Næturvaktin, Georg Bjarnfreðarson, Ólafur Ragnar and Daníel, have become imprisoned in the infamous Litla-Hraun prison following the murder of the hotel owner in Dagvaktin. The story is continued, and brought to a conclusion, in the feature film Bjarnfreðarson. The first episode was broadcast on Stöð 2 on Sunday, 27 September 2009, and an episode was broadcast each following Sunday until the final seventh episode aired on 8 November 2009. The series has been released on DVD.