Michel La Veaux

It tells the story of Georges Guénette, a deserter from the Canadian Army during World War II, who was shot and killed by members of the Royal Canadian Mounted Police.

In 1910, Maria Chapdelaine, a young girl of seventeen, lived with her family on the banks of the Péribonka River, north of Lake Saint-Jean. The Chapdelaines work tirelessly to push the limits of the forest. In a home where even physical exhaustion cannot dampen the warmth of family life, Maria, strong and full of hope, finds herself faced with major dilemmas. Thrust into the world of adults, Maria will suddenly be forced to decide on her future as a woman.

With an enthralling central performance by Gilbert Sicotte, this masterful debut feature examines the life of the top car salesman in a fading Quebec town as events challenge the 67-year-old’s sense of identity and the meaning of life at the most profound level.

In a quest to rediscover the spiritual values of his own people, an African filmmaker from the Gourmantche tribe of Burkina Faso visits an Aboriginal band, the Atikamekw of northern Quebec. The resulting documentary is a dialogue between those who divine the future in the sand with those who use snow-encased sweat lodges to reconnect with the spiritual world.

In an isolated psychiatric ward, Laurence, a young woman suffering from depression, has her world turned upside down by another patient who is her exact opposite.

Dominic’s fetish is… himself. Nothing turns him on more than his own reflection. That’s why discovering that he has a twin brother, raised in a remote monastery by a depraved priest, causes him major consternation. Fate brings the two young men back together again, and their fraternal relationship is torn between sex, revenge and redemption.

Gaby owns a farm on which he raises lambs: Bouchard & Sons Farm. But he has no sons. Rather, he has two daughters that he raised like princesses and who live far away, in the big city. One day, the oldest asks him for some financial support so she doesn't end up losing her house...

A genuine encounter with filmmaker Jean-Claude Labrecque, this feature-length doc underscores not only the importance of his work (especially in the documentary medium) but also his passion for film. The bond between Labrecque and director Michel La Veaux allows us to see beyond the images and discover the smaller story hidden within the larger one. La Veaux shares with us his own love for film and the humanistic perspective from which Labrecque has used his camera to etch the great moments of Quebec’s culture and history into Quebecers’ collective memory.

It is through the voice of Salim, newly arrived in Canada, that we follow the journey of six immigrants who, cramped in a van, earn their living by distributing advertising leaflets. Despite their diverse origins, they share the same nostalgia for their native land and the same daily worries, which they approach with scathing humor. Among them is a young boy of Russian origin, Sacha. The biting cold and the endless stairs will get the better of his tenacity. However, Sacha will come to surprisingly break the routine of Salim and his companions...

Hôtel La Louisiane is, at its core, a film about freedom and dignity. Freedom for those who wish to live in a place where they are able to feel inspired. Dignity for the hotel owner to stand by his promise to his father and keep their mission alive: to provide an affordable sanctuary for artists and students in search of fulfilling employment, which they certainly won’t find at other hotels. Freedom, too, to be in an environment of tolerance and rid of prejudice. This film is not just a story about a mythical setting in Paris; it portrays the microcosm of a lifestyle in which collective values reign supreme. A film where what’s real and true is placed above national borders or cultural barriers.

A filmmaker, fascinated by the power of the camera and obsessed with the theories of Russian film pioneer Dziga Vertov, decides to get a camera eye to replace the real eye he lost as a child. The visionary quest begins on the operating table, where a surgeon grafts a prototype ocular implant into his eye socket. Seeking a microscopic camera that could be incorporated into his artificial eye so he could secretly film whatever he sees, the filmmaker explores the futuristic technology that could make this possible, while revisiting chapters of his own past.

A humanistic documentary about the “soul” of the Directors' Fortnight at Cannes, a formidable facilitator, a passionate man thirsty for novelty and the avant-garde: Pierre-Henri Deleau.

"Barbers - A Men's Story" takes us into barbershops, a haven where men can talk freely among themselves. The film features barbers who describe their love and passion for their work. These endearing and dedicated men, who have been their customers' trusted confidants for decades, are approaching the twilight of their careers in a trade that is slowly dying out.

Travelling to the Arctic for the first time, Carmen arrives in Iqaluit to tend to her husband, Gilles, a construction worker who has been seriously injured. Trying to get to the bottom of what happened, she strikes up a friendship with Noah, Gilles' Inuk friend, and realizes they share a similar story. Together, Carmen and Noah head out on the Frobisher Bay - she, looking for answers to her questions; he, trying to stop his son from committing what can't be undone.

A young poet, Paul Susser (Vincent Hoss-Desmarais), meets his master, the great author Samuel Beckett (Stephen McHattie), in a small café. The two men initiate a complex friendship that spans the last two decades of Beckett's life and forever changes Paul's future.

Their names are Rafik, Solace, Rahat, Jessica and Adonay. They are six years old. They live in Parc Extension, a multi-ethnic neighborhood in the heart of Montreal. They are Madame Lise's students. For an entire school year, director Sylvie Groulx observes their learning, watches them live. Thus, it testifies to the patient work of a teacher simply dealing with new urban realities: children of diverse ethnic origins, major cultural differences, learning French in a family environment ignorant of this language. The class of Madame Lise is also the good will of a group of disparate children, the complicities that are woven in the difference, the knowing smiles, the sulks and the mockery devoid of malice. Madame Lise's class is finally the portrait of Lise Coupal, a warm and attentive teacher, tolerant but firm, happy to discover in a shy boy a potential that she did not suspect.

A mother deals with the violent murder of her daughter.

Montréal, 1959. In the classroom of Sister Cecilia, Leonie (aged 11) first met Father Malachy, a young Dominican father who has come to visit his school. It is love at first sight for this lonely and dreamy child who took refuge in religion to escape a mother who is emotional and too worried. But there is also love at first sight between Sister Cecilia and Father Malachy. Between human love and the love of God, which will prevail?

The sleepy town where Léo lives doesn’t offer her much chance of self-fulfilment. Extricating herself from her mother’s influence and her constricting environment isn’t easy for the frustrated young woman, yet happiness might be close at hand. A stylistically precise, pop-impressionistic film about a girl’s quest to find out who she really is, featuring the captivating Karelle Tremblay in the lead role.

Devastated but furious after his girlfriend dumps him on a metro platform, 23-year-old Cedric takes off with his unfinished novel in his bag. Fate leads him to a large, rundown house owned by Isabelle, a onetime star pianist and faded beauty. Isabelle, now a lonely 76-year-old alcoholic, passes her days at her piano and with her group of eccentric boarders. From their first meeting, Cedric knows that Isabelle is the love of his life, and Isabelle realizes he is her last chance for love. Driven by their intoxicating passion for one another, they plunge headlong into a love affair where they are pushed to the brink of hate and death, even escaping reality to keep their love alive.

Malek, a Lebanese immigrant from Montreal, is haunted by the violent death of his sister. Convinced that he could have avoided this tragedy, he is consumed with guilt. He lives alone, poor, jobless until he meets Shohreh, an Iranian girl, with whom he falls in love. A new life opens up to him and he quickly finds work. Malek gradually regains his dignity but the past resurfaces to the point where he is pushed, almost in spite of himself, to finally settle his accounts with himself.

In the summer of 2000, federal fishery officers appeared to wage war on the Mi'gmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Alanis Obomsawin casts her nets into history to provide a context for the events on Miramichi Bay.

In this feature-length documentary, Indigenous filmmaker and artist Alanis Obomsawin chronicles the determination and tenacity of the Listuguj Mi'kmaq people to use and manage the natural resources of their traditional lands. The film provides a contemporary perspective on the Mi'kmaq people's ongoing struggle and ultimate success, culminating in the community receiving an award for Best Managed River from the same government that had denied their traditional rights.

The curtains of a theatre open onto a smaller puppet theatre presided over by Marianne. The ringmaster waves her baton at three shadowy acrobats that climb one by one out of her hat. Each performs his number, although not without some difficulty. The clumsiness of the first, the mischievousness of the second, and the fieriness of the third trigger a few clashes that ultimately lead to chaos. How can Marianne create harmony without losing control? Will her show flop? Who's really calling the shots, the little puppet or her acrobats?