My Eye for a Camera

Between the city, the suburbs and the theft of an automobile.

In the not-so-distant future stands a castle where life can be eternally extended, provided that the residents take their pills. At age 88, Madeleine sees herself as the princess of the castle where she'll live "till her dying breath"... until the day that she is forced to leave. Disturbing tale of an endearing woman at the dawn of losing her bearings in a system where every elderly person have to find a place to live.

Monique and Lussier, two good friends from the street, let themselves go to the rhythm of their little, somewhat gray world. Like a dream that grows in the “slush”, they manage to sail above our heads.

This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert Kramer and many other visionaries and mavericks of the silver screen – as well as a book seller, a critic and a psychoanalyst – discuss what cinema has meant to them, what it is and what it could be and, implicitly, how it has changed over the 18 years in which this film was shot. Director Boris Lehman leads the charge, drawing in moments of absurdist humour and inventive camera work; he keeps things raw and spontaneous. His encounters with the now much-missed Jean Rouch and Stephen Dwoskin are particularly touching and stand testament to their personal playfulness and candour. An engaging, absorbing, epic odyssey of a movie.

In these uncertain times, when Nostradamus and doomsayers are making headlines, this documentary takes a humorous and tongue-in-cheek look at the world of divinatory arts. A fascinating journey into the heart of the unusual, it explores the realms of the paranormal and introduces us to a colorful gallery of characters.

A two-part in-depth exploration of the evolution of the private film industry, seen through the eyes of more than 50 industry professionals. Part One (1939-1979) : Artists and professionals from the social and commercial film sectors recount the struggle to build a film industry that is privately operated yet publicly funded. Part Two (1980-2010) : Executives, policymakers, and industry professionals trace the origins of the major funding institutions and discuss the unintended consequences of building a cultural industry around performance metrics, revenue generation, and private profit.

Zoom-out from a too-tight focus on problems like dropout rates, loss of motivation among students, and depression among teachers. Entering the daily lives of "problem cases" at a Montreal secondary school that sits at the bottom of the school performance rankings, Denys Desjardins sweeps away preconceptions about the quality of teaching in disadvantaged neighbourhoods and the alleged delinquency of the kids who live there. A far-reaching examination of student life that stimulates reflection on the role of school in our society and asks how willing we are to support and finance the school system so that it will not be merely a factory churning out parts for the social machine.

One of the most intimate and obstinate filmmakers in Belgium, Boris Lehman acts, directs, produces, and distributes his films, single-handedly incarnating the essence of a creator who manages to survive on the fringes of his industry. From Brussels to Paris, friends, filmmakers and critics offer their understanding of a man for whom life is a reason to film, and film, a reason to live.

With an empathetic and intimate lens, veteran filmmaker Denys Desjardins captures his elderly mother's experience of neglect in Quebec's healthcare system and his sister's fight to secure her an acceptable long-term care solution.

In the 1930s, in the throes of the Great Depression, the government relocated more than 80,000 citizens to found a new settlement in the virgin forests of Quebec's Abitibi region. After enduring backbreaking work to clear the land, however, many left, seeking a better life in the city or as labourers for the large corporations that had come to exploit the North's valuable resources. The Lalancette family, however, have persisted in forging their future on the land from one generation to the next, earning their keep from farming, and defying the constraints of globalization and the mining and forestry companies that control the area. Revisiting the heritage of Quebec filmmakers who documented Abitibi, following in the footsteps of Pierre Perrault, among others, this documentary traces a defining chapter of Quebec history and raises fundamental questions about regional development.

Looking for a long lost friend, Madeleine talks to a Stalker so that he can take her to «the zone» and help her look into her memories to find him at last. Essay-film hommage to Chris Marker.

Meditation on the passage of time, the territory we live in and the ties that bind us. This short film was shot in Quebec in December 2018 between the 48th and 50th parallels.

Jacques Drouin's artistic trajectory is closely tied to the Alexeïeff-Parker pinscreen. No other filmmaker has employed the device with such dedication since Alexeïeff himself, who created the design in 1931. Consisting of a perforated board with 240,000 adjustable pins, the pinscreen can be manipulated to create evocative moving images.

Thanks to the development of techniques and the adventurous spirit of pioneering filmmakers, among whom Michel Brault occupies a central place, a new way of making cinema was born at the turn of the 1950s and 1960s. This film relevantly retraces the history of a collective movement which revolutionized production and filming methods in Quebec and the world.

An undisputed master of puppet animation, Co Hoedeman would captivate TV audiences with The Sand Castle (1977), a film that went on to win an Oscar for Best Animated Short. He had emigrated from Holland in 1965, aged, 25, in the hopes of finding work at the NFB.