Shaji N. Karun

Four bachelors struggle to overcome obstacles that come their way when they fight against the British to attain India's independence.

Lekha is an aspiring actress who becomes successful and very popular. One day, she commits suicide! Why?

Alice is a teacher at a boarding school in Ooty. A prodigal and unruly son of a Member of Parliament Xavier Puthooran, Ravi Puthooran joins the school in Alice's class. Alice manages to mentor him into a good student.

Kunhikuttan, a famous Kathakali dancer, meets Subhadra, a woman from an upper caste family, who falls in love with his character rather than himself.

Swapaanam (Malayalam: സ്വപാനം) (English translation: The Voiding Soul) is a Malayalam film directed by Shaji N. Karun and produced by M. Rajan for Horizon Entertainments. The film features Jayaram and Kadambari in the lead roles,[1] alongside Siddique, Vineeth, Lakshmi Gopalaswamy in supporting roles. The cinematography was held by Saji Nair and music was composed by Sreevalsan J Menon, while the script was written by Harikrishnan and Sajeev Pazhoor, based on Shaji’s own story.[2] The film was screened in the Dubai International Film Festival.[3] The film released with Auro 3D sound in selected theatres, becoming the third Indian film to employ the technology after Vishwaroopam(Tamil) and 1- Nenokkadine (Telugu).[4]

The movie revolves around Indira, who is serving life sentence in the jail. She has been charged for the murder of Avarachan, a landlord who killed a young tribal woman after raping her.

Kutty Srank is a short-tempered, lonely, but law-abiding boatman whose work leads him to travel the back waters of Kerala

Esthappan is a fisherman, who lives in a seashore colony. His story unfolds through narrations by other fishermen about his miraculous acts. Through the contradictory statements of these people, a mystical figure of Esthappan unfolds.

Chidambaram is based on a short story by noted Malayalam writer C. V. Shriraman. The film is a deeply symbolic exploration of the man-woman attraction leading to betrayal and eventually to the purgatory of guilt.

Three friends, Sakharia, Gopi and Bilal go to a brothel for enjoyment. They find a girl who was forced into prostitution and decide to save her.

The arrival of a travelling circus sends ripples through the inhabitants of a remote Keralan village.

A stranger who may be the trickster magician Kummatty comes to a village in Malabar, India.

A young artist lives with his father, a radical friend and music loving young woman. His father dies, the radical friend leaves him and the woman is taken away by her family to another city.

The film interprets a story from the Uttara Kanda of the epic poem Ramayana, where Rama sends his wife, Sita, to the jungle to satisfy his subjects. Sita is never actually seen in the film, but her virtual presence is compellingly evoked in the moods of the forest and the elements. The film retells the epic from a womens' liberationist perspective, and is about the tragedy of power and the sacrifices that adherence to dharma demands, including abandoning a chaste wife.

A henpecked politician wants his name attached to a new bridge, even if that means destroying another, perfectly serviceable bridge.

The story is about Ramu (Vineeth), a 16-year-old boy who is staying with his annoying uncle, who gets angry and often treats Ramu like a slave. On a trip to the pilgrim town of Guruvayoor with his uncle (played by Thilakan), Ramu meet 15 year old Gouri (Monisha), who has come with her grandmother. Both find love, and after sharing a few tender talks and moments depart without a clue that they will meet again. When back Ramu runs away from his uncle and lands up in the city with his neighbor namboothiri (played by P Jayachandran). As fate would have it, Ramu and Gouri meet again. Good conduct and intelligence of Ramu gets noticed and he is asked by a lawyer to stay in the house, where Gauri is a maid. The lawyer's deaf and dumb daughter Lakshmi (Saleema) gets attracted to Ramu and the lawyer fixes the marriage without asking Ramu. The triangle love story leads to a sad ending.

The documentary film is about the Film and Television Institute of India including the views expressed by students, staff and Ex-Director Shri Jagat Murari. The filmmakers from the institute are 'Rays of Hope' for the alternative or New Indian Cinema.

Olu is the tale of a girl who gets gang raped and sunk to the bottom of the backwaters where she can mysteriously survive and live for the next nine months -until she delivers her ‘baby from rape’.

A mistaken call from a young boy who is trying to reach his mother disrupts the peace of a couple, Gopi and Sati.

Set in Nainital, Manju is about Vimala Devi, a teacher in a boarding school, who waits in hope for the winter of her discontent to vanish. Another important character is Buddhu, who waits for his Englishman father to return to Nainital. Loneliness and endless waiting are recurring motifs in the film.

An exploration of the multi-faceted personality of the filmmaker of international repute G. Aravindan.

When his son fails to arrive home to attend his daughter's engagement ceremony, aging patriarch Raghava Chakyar waits daily for him at the bus stop. He soon comes to learn that his son, Raghu, was taken into police custody for political reasons and tries to get to the bottom of this.

In the 1950s a village in Kerala is preparing itself to be included in the nation's electric grid. Things are looking up for villagers and everyone is optimistic about the progress that electrification will bring. However soon some trouble brews starting with petty quarrels on trees being felled for the power lines. A series of unfortunate events follow the electrification as the village comes into terms with rapid modernization.