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The film, in a docu-drama style, depicts the last days of the British Raj. It stars Balan K. Nair, Tom Alter, Nilambur Balan and Ramachandran Mokeri in pivotal roles.

The story is about Ramu (Vineeth), a 16-year-old boy who is staying with his annoying uncle, who gets angry and often treats Ramu like a slave. On a trip to the pilgrim town of Guruvayoor with his uncle (played by Thilakan), Ramu meet 15 year old Gouri (Monisha), who has come with her grandmother. Both find love, and after sharing a few tender talks and moments depart without a clue that they will meet again. When back Ramu runs away from his uncle and lands up in the city with his neighbor namboothiri (played by P Jayachandran). As fate would have it, Ramu and Gouri meet again. Good conduct and intelligence of Ramu gets noticed and he is asked by a lawyer to stay in the house, where Gauri is a maid. The lawyer's deaf and dumb daughter Lakshmi (Saleema) gets attracted to Ramu and the lawyer fixes the marriage without asking Ramu. The triangle love story leads to a sad ending.

A mistaken call from a young boy who is trying to reach his mother disrupts the peace of a couple, Gopi and Sati.

A henpecked politician wants his name attached to a new bridge, even if that means destroying another, perfectly serviceable bridge.

The movie revolves around Indira, who is serving life sentence in the jail. She has been charged for the murder of Avarachan, a landlord who killed a young tribal woman after raping her.

In the 1950s a village in Kerala is preparing itself to be included in the nation's electric grid. Things are looking up for villagers and everyone is optimistic about the progress that electrification will bring. However soon some trouble brews starting with petty quarrels on trees being felled for the power lines. A series of unfortunate events follow the electrification as the village comes into terms with rapid modernization.

Kunhikuttan, a famous Kathakali dancer, meets Subhadra, a woman from an upper caste family, who falls in love with his character rather than himself.

Chidambaram is based on a short story by noted Malayalam writer C. V. Shriraman. The film is a deeply symbolic exploration of the man-woman attraction leading to betrayal and eventually to the purgatory of guilt.

Alice is a teacher at a boarding school in Ooty. A prodigal and unruly son of a Member of Parliament Xavier Puthooran, Ravi Puthooran joins the school in Alice's class. Alice manages to mentor him into a good student.

Set in Nainital, Manju is about Vimala Devi, a teacher in a boarding school, who waits in hope for the winter of her discontent to vanish. Another important character is Buddhu, who waits for his Englishman father to return to Nainital. Loneliness and endless waiting are recurring motifs in the film.

The arrival of a travelling circus sends ripples through the inhabitants of a remote Keralan village.

The film interprets a story from the Uttara Kanda of the epic poem Ramayana, where Rama sends his wife, Sita, to the jungle to satisfy his subjects. Sita is never actually seen in the film, but her virtual presence is compellingly evoked in the moods of the forest and the elements. The film retells the epic from a womens' liberationist perspective, and is about the tragedy of power and the sacrifices that adherence to dharma demands, including abandoning a chaste wife.

A young artist lives with his father, a radical friend and music loving young woman. His father dies, the radical friend leaves him and the woman is taken away by her family to another city.

When his son fails to arrive home to attend his daughter's engagement ceremony, aging patriarch Raghava Chakyar waits daily for him at the bus stop. He soon comes to learn that his son, Raghu, was taken into police custody for political reasons and tries to get to the bottom of this.

A stranger who may be the trickster magician Kummatty comes to a village in Malabar, India.