Love Letter

This film stars Tanaka Kinuyo as the mother of the heir to the Hosho name, a famous lineage of Noh actors. The heir, Hosho Yagoro, is played by Hasegawa Kuzuo who went on to become familiar among Ichikawa Kon fans as Yukinojo in An Actor's Revenge, which was also co-written by Ito, adding to the relatedness of An Heir's Place.

Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.

In 11th-century feudal Japan, following the exile of an idealistic governor, his wife and children are separated by slave traders; the children, Zushio and Anju, are sold into brutal servitude under the cruel bailiff Sansho.

In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.

During the Edo Period, a noblewoman's banishment for her love affair with a lowly page signals the beginning of her inexorable fall.

A young journalist interviews an elderly woman about being forced into prostitution in Borneo at a brothel called Sandakan No. 8.

In postwar Japan a young woman is unable to marry her sweetheart because her family's in difficult circumstances and needs her income to keep afloat.

Fumiko, mother of two and wife to an unfaithful man, shares her family life with her budding vocation as a poet. The beginning of her successful literary career coincides with her divorce and her breast cancer diagnosis. In her final stages, Fumiko meets a young journalist from Tokyo who wants to write a story on her experiences.

In a remote village where food is scarce, elders who reach the age of 70 are carried by their children to the top of a nearby mountain to die in solitude. Orin, a vibrant 69-year-old grandmother, has accepted her fate — but struggles to prepare the rest of her family for the ritual.

The eldest daughter of a noble family is in love with an aviator while being courted by a fellow aristocrat she thinks is a dullard. Told from the perspective of Ryota. In this second part, we learn that Akemi is pregnant...

Wataru's outwardly liberal views on marriage are severely tested when his daughter declares her love for a coworker and is adamant to live her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.

Based on the life and career of novelist Fumiko Hayashi, she bitterly struggles for literary recognition in the first half of the 20th-century – her affairs with feckless men, the jobs she took to survive (peddler, waitress, bar maid), and her arduous, often humiliating attempts to get published in a male-dominated culture.

Tokiko patiently awaits her husband's return from WWII when her four-year old son falls ill. She takes him to the doctor but has no means of paying, so she resorts to prostitution. A month later, her husband returns to find his desperate wife, who tells him the truth. Together, they must deal with the consequences.

Setsuko is in an unhappy marriage to Mimura, an unemployed, alcoholic engineer. She had always been in love with Hiroshi but both failed to propose when Hiroshi left for France a few years ago. But now he's back and Mariko tries to reunite them, although she too is secretly in love with Hiroshi.

Set in 1926 when Japanese tradition was much stronger, this drama looks at the inner workings of a small family, especially the relationship between a sister and brother.

Mokichi Asai is a widowed father living in Nara with three daughters—Chizuru, Ayako, and Setsuko. The youngest, Setsuko, plays matchmaker for her older sisters, leading to humorous and awkward romantic entanglements.