Sehra

Ayodhyecha Raja, literally "The King of Ayodhya", was the first Marathi talkie. It is based on the mythological story of Raja Harishchandra of Ayodhya and his test by sage Vishwamitra, as recounted in Valmiki's epic, Ramayana. The film was also made as a double-version, Ayodhya Ka Raja (1932) in Hindi, making it the first double version talkie of Indian cinema.

Following a passionate encounter with King Dushyanta (Chandramohan), the comely Shakuntala (Jayashree) finds herself pregnant and rejected by the royal court. She gives birth in a forest to a son which she names Bharat (Kumar Ganesh). When the King tracks his former lover down and tries to take her back, she flatly refuses him.

A young girl who is forced to marry an aging lawyer. She is implored to find a young husband before her would be husband snuffs the idea out.

A respected village schoolteacher falls for a travelling dancer and faces a moral dilemma.

Chandrasena, wife of their captor Mahi. Despite her loyalty to Rama, she despises the decadence of her husband's kingdom. As the battle rages and Mahi proves invincible with his ability to duplicate himself and his fallen soldiers, Chandrasena holds the key. She reveals the secret to defeat her husband, turning the tide of the war. Expect grand visuals, including classic flying figures, magical arrows, and a memorable scene of a gigantic Hanuman dwarfing a human figure.

Ramesh, the youngest son of a well-to-do family, falls in love with a woman he hears singing on the radio -- even though he's never seen her. When he finds out his mystery woman is Ksama, a servant in his parents' house, everything is thrown into turmoil. Will Ramesh accept Ksama? Will they get married? Love may just conquer all in this classic Bollywood melodrama.

Thakur is a proud and dignified man who loves his only daughter, Chanda, dearly. His wife and he receive a proposal for Chanda from the house of a lawyer and his wife. While Thakur accepts the proposal, he makes it clear to the lawyer that he is unable to afford any dowry. After the wedding, Chanda's mother-in-law starts harassing Chanda about her lack of dowry.

An exploitation film primarily culled from footage of a Hindi film titled "The Journey of Dr. Kotnis." Producer Lloyd Friedgen added real and staged footage of wartime atrocities.

A social film with high melodrama, concerning a peasant (Shantaram) who loses his land to a greedy money-lender and moves to the city where he becomes a mill worker. Taking its cue from the realist tradition, the film counterposes an idyllic rural life (destroyed but the greedy money-lender who uses forged papers to steal the peasant's land) with the harsh city life. The shot of a hut accompanied by a howling dog are regarded as one of the most memorable moments of Indian cinema to date.

Udaybhanu captures Kamlakumari who is planning to commit Sati and brings her to his fort in Kondana. Tanaji Malusare prepares to attack the fort with fifty soldiers. He manages to scale it but is killed in the battle with Udaybhanu. Chatrapati Shivaji Maharaj arrives and wins the fort but he is despondent on losing his most trusted Lieutenant.

Prince Sudhirchandra goes into hiding as an infant when his father gets overthrown by Naagraya, a greedy minister. After 20 years, Sudhirchandra returns to reclaim his throne.

Hindi version of the film starring Mazhar Khan, Gajanan Jagirdar and Anees Khatoon. In a small village in India, the villagers of different communities live in harmony. But when an industrialist, arrives to construct a dam, he sows distrust and disunity between the Muslim and Hindi communities.

Sant Eknath, a 16th-century poet-saint who challenges caste discrimination by serving and dining with the untouchables. His actions provoke outrage from orthodox Brahmins, leading to his excommunication. Despite opposition, Eknath stands firm in his belief in equality and devotion, inspiring others to join his cause and defending his principles through his spiritual teachings.

During the Partition of India, Mohini is abducted and raped. Upon returning to her family, she faces rejection from society. In revenge, she becomes a smuggler, dealing in illegal arms. She falls for fellow refugee Satish, and when he's implicated, she confesses and surrenders.

A righteous king faces a divine test when celestial powers send a fairy disguised as a desperate woman seeking his mercy, challenging his moral judgment and wisdom.

Set during the Pandavas’ exile in the Mahabharata, the story focuses on Draupadi living incognito as a maid-in-waiting named Sairandhari in King Virata’s palace. The arrogant Keechak becomes obsessed with her, prompting Bhima (disguised as a cook) to intervene and kill Keechak to protect her honor.